‘Titans’ Season Two: Time To Extrapolate From And Overreact To A Minute Long Trailer Again

Okay. So. Titans season two. Like I said before, I adored most of season one, but the whole thing ended up falling kind of flat because of the terrible finale. This was a little surprising, because the lead up to the show was weird. I was getting whiplash between stuff that made me excited and stuff that I didn’t like. The first trailer was terrible and the second was great. And then when the show actually came out, it was good! So now I know I probably shouldn’t get all worked up about the first look at season two. Except, too bad, I’m going to anyway. Let’s do this.

1. Donna Fucking Troy

LOOK AT HER. I didn’t think I liked her suit when we first saw pictures of it, but it’s grown on me. I definitely would prefer to see her black one from the comics, because I adore that and Conor Leslie would look SO good in it, but this is pretty good, too.

2. Why is Batman blonde?

I first saw the trailer when it was leaked last night. And I still can’t get over the fact they didn’t darken Iain Glen’s hair. I don’t know why this bothers me. This is a weird thing to be bothered by. And yet it just freaks me out. This is a thing I’ve been lowkey worried about since the casting was announced! Especially because we saw Bruce from behind in the season one flashbacks. He had a full head of black hair. Are we meant to assume that raising Dick was so hard for this guy that fifteen years turned his hair blondish grey? All the evidence we’ve been given indicates that it can’t have been that hard because Bruce was the king of distant parenting – dude communicated through leaving cryptic notes on trays.

3. Scottish Batman

It’s not that I dislike Scottish accents. Not at all, they’re great. But it’s somehow off putting to hear Scottish Bruce Wayne. And while I’m sure it’s better than risking him being bad at a fake accent, the combination of blonde hair and a Scottish accent weirds me out. Like…is this something he picked up from Alfred? Is Alfred Scottish in this universe? Is it something he picked up while travelling? Did he meet Talia in Scotland? Are we going to get five seasons in and meet Talia and Damian with Scottish accents? I HAVE SO MANY QUESTIONS.

5. Wilson Family

My first thought about this is that I need to hear Rose called Ravager at least once, because that’s a badass name and she looked SO COOL. My second thought is that I love getting both Rose and Joey in the same show, this is great. My third thought is that I want to see Slade’s suit in more detail before I make a judgement on whether or not I like it. And my fourth thought is that that bit at the end made me uncomfortable, because in a lot of ways, Deathstroke is Dick’s archnemesis, and I don’t like the thought of Jason being the one to tell Dick who he is.

4. Jason Todd

It’s no secret that I don’t exactly love Jason. At least when it comes to this. And like….I think this intensified that feeling. I’m a big fan of when Robin is presented as almost more mysterious than Batman himself – like this semi-mythological figure that most people don’t even believe is real. I hate the idea of everyone knowing how many Robins there have been or what happened to them or what names they’re going by now. So Jason jumping in front of a camera crew to shout about how the Titans are back – and seriously? Back? YOU WERE NEVER ONE OF THEM – bothers me. Also, I have to reiterate that I’m not into the idea of him knowing who Deathstroke is before Dick. Seeing as this was only a one minute trailer, it’s very possible that that’s not quite how it plays out in the actual show, but…I just don’t like how Jason is being pushed into stories he has no business being in. That’s never going to change.

5. Dick Training Rachel

I am bizarrely delighted by Dick training Rachel while wielding a sword. And the reason for that can almost certainly be traced back to one specific issue in pre-52 Nightwing.

Dick Kicks Ra's In The Face

Dick is…really good with a sword, guys. He once beat Ra’s al Ghul in a swordfight then kicked him in the face. It was awesome. So I’m excited to see if this season explores how Dick is actually super competent and awesome at a lot of different things.

6. Original Titans

Hank and Dawn are freaking awesome, and I’m still in awe that their episode somehow turned out to be probably the most well made in the whole first season, despite being crammed between a cliffhanger and its payoff. I’m delighted to see more of them. I’m so excited to see what the relationship between them, Donna, Dick, and Garth turns out to be. I’m still a bit disappointed that we’re not getting Roy and Wally, but I’ll live.

I could go on and start rambling about many other elements of this trailer, from Krypto to the little glimpse of the Dick Bruce dynamic to the fact that this seems to imply that the Trigon story is going to be wrapped up in the first episode which is not cool. For once in my life, I’m going to restrain myself. As many things that there are that bother me about this, there are other things that I’m excited to see! And if I stop paying so much attention to what other people are saying, I’ll probably enjoy it more! So I’m going to set my reservations aside again, like I did before season one. It might be good or it might not, but I’ll do my best to enjoy the ride anyway.

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My Issue With Barbara As Batgirl

A while ago, I wrote a post about the Robin issue, and I touched upon the idea that writers were paradoxically claiming that Nightwing is what Dick was meant to be and that Nightwing is a lesser hero than Batman, refusing to let him be truly independent. That made me want to write another post on something very similar that happened to a different character: Barbara Gordon, when she was pushed back into her role as Batgirl.

There has been a lot of debate over the years over Barbara’s status and disability, such as in this article from 2009. Now, the writer does a pretty good job of expressing why returning her to her state pre-paralysis is problematic, pointing out that Barbara is one of the very few disabled characters in comics and undoing her paralysis would be making the slate less representative of the world as it is, but he also says something that I staunchly disagree with, and that’s the following:

One could argue that curing Barbara and allowing her to be Batgirl again would simply allow her to do more good fighting crime than she ever could in a wheelchair, but then you look insensitive to the ability and usefulness she has in other capacities as Oracle. Conversely, you could say that removing Barbara from her wheelchair drastically alters her character, but then wouldn’t that indicate that this is a character defined by her handicap? This begs the question [sic] of why so many fans adore her: is it because she’s a bold and daring leader that rivals the Calculator in brains? Or is it because she’s all of that, but stuck in a wheelchair? Think about the question, and surely many of you will find an answer you don’t like.

The problem with this quote is that it’s confusing two issues. Barbara as Oracle matters for many reasons. And yes, one of them is that she’s in a wheelchair! She’s a disabled hero, and erasing that is disgusting. There are very few disabled characters in the DC universe; she’s arguably the most popular of those; and since people in reality aren’t going to get some magical fix for all their injuries, it means something that Barbara lives in a world of aliens and mythological beings, but was still in a wheelchair. But the reasons she matters are part of a different list than that of the reasons why she’s a great character. Sure, there’s overlap, but they are still different lists.

Barbara is awesome because she’s smart and competent, a leader that grew from a teenage girl that saw injustice and was determined to do her part to stop it long before any personal tragedy. And as horribly sexist as her being shot The Killing Joke was – and believe me, I know it is, I talked about that here – it also paved the way for added depth to her character, because it gave her a tragedy. You can’t see what characters are made of until you push them to their limits, and what Barbara proved to be made of was iron willpower and determination to keep fighting.

As Oracle, Barbara wasn’t an extension of Batman. She wasn’t Batgirl, she was the one and only of her name. She’d graduated to being a full partner. She’d already given up Batgirl at the time of her paralysis because she’d outgrown the role, and her paralysis let her pave a new path. Barbara as Oracle wasn’t defined by her wheelchair or how it stopped her from being Batgirl. She was defined by how she got back up and refused to stay down, how she’s brilliant and capable and absolutely necessary to other heroes she is. That all could have happened without the wheelchair. She didn’t need to be permanently paralyzed to be Oracle. But you know what? She was. By the time of the New 52, she’d been so for literally half her publication history. I saw another comment once, from before the New 52. Someone was arguing that Barbara should return to being Batgirl because her paralysis was sexist, pointing out that when Bruce broke his back, he recovered, while Barbara was paralyzed for life. And that may be partly true. But when Bruce broke his back, he never did what Barbara did, never forged an entirely new identity, never built something new and better. When Barbara became Oracle, that’s what she did, and she was Oracle – a fully grown woman in a wheelchair, a leader of a team of superheroes, and a mentor and maternal figure to her successors as Batgirl – for too long to just erase it and force her back into a role she no longer fits.

Removing Barbara from her wheelchair may not “drastically alter her character”. With it or without, she’s still the same smart, tough, badass she always was. But removing her from her wheelchair is synonymous with removing her from the identity she created out of her trauma. It’s disregarding over twenty years of an iconic character’s history – pretty much the most interesting part. And beyond that, it’s just a gross thing to do! You can’t advocate erasing a character’s disability by saying, “oh, she’s a badass character that’s more than her wheelchair”. That’s disingenuous. It’s not a good faith argument. It’s designed to trap people into either saying that they think the wheelchair is the most important thing about her or believing that because it’s not, maybe it’s no big deal to get rid of it. Neither of those things are true! Because yes, Barbara is more than her disability, but that doesn’t mean her disability isn’t a part of who she is. Returning her to her feet was pretty much keeping the bad from The Killing Joke with none of the good that came about because of it.

Look, Barbara is great in all forms. But as Batgirl, there’s nothing special about her. She’s another generic costumed vigilante in a city that has way too many of them. Plenty of girls can be Batgirl, but only Barbara can be Oracle. She helped so many more people as Oracle than she ever could as Batgirl. Oracle is incredible because her paralysis was one of the few lasting consequences in DC. Characters die then come back to life to the point where death is just whatever. They recover from injuries that should have long lasting impacts, if not kill them out right. It’s because of this that comics can get frustrating – at times, it seems like an endless cycle of the same story over and over again, with nothing ever mattering, because we all know it’ll be undone in a few months, only to be brought up now and then when a writer wants some angst or drama. Oracle was one of the few exceptions to that.

She’s been treated terribly since Flashpoint. She’s stopped being a mentor. She stopped being an equal. She’s been deaged and devalued, going from being a long established and independent and the leader and founder of the Birds of Prey to someone that dreamed of joining that team. It’s not even just Barbara – Barry Allen returning to life, everything that happened with Wally, was almost as bad, because that, too, was getting rid of one of the few lasting changes in the universe. But Barbara being forced back into her Batgirl role is the one that bothers me, personally, the most. Batgirl is fine. And Batgirl is not a part of Barbara’s past that can be set aside. It’s her legacy. But she and Dick are counterparts. Batgirl and Robin are counterparts. Barbara has moved beyond Batgirl just as much as Dick has moved beyond Robin. It’s time to let her move on, to let Cass and Steph have Batgirl in their histories again, to let Barbara stop being Anything-girl and be an adult.

It’s also interesting – and by interesting, I mean tragic – to consider how little Barbara’s role as Oracle is really valued when it comes to adaptations. For a start, she’s not going to be in the Birds of Prey movie, even though it’s titled after her team and she was one of the only three core members. But it goes well beyond that and into the fact that we never really see Barbara’s origin. We see her as Batgirl sometimes – Young Justice, the 60s Batman, Batman: The Animated Series. We see her as Oracle sometimes – Birds of Prey,  season three of Young Justice. And sometimes, we see The Killing Joke. But not Barbara’s real origin. Because that wasn’t The Killing Joke, it was what came after. It was her refusing to let anything stop her, least of all the Joker. Don’t get me wrong, I am happy we don’t have to witness her being shot more. I find that very similar to how it’s, in most cases, going to be unnecessary to see Jason get beat to death with a crowbar. I have no issue with not seeing either of those stories played out on screen. But as much as I love seeing Babs as Oracle, it’s disappointing to not see her journey to getting there. The context is so valuable in giving us a rich story.

Barbara Gordon is too damn good a character to waste like this. Maybe we won’t ever get to see her as Oracle again in the main continuity. But if that’s the case, I at least want to see that in elseworlds tale, because call me crazy, but throwing away twenty years of history and a major chunk of a fabulous character is a dumbass decision.

Sustainability and Character Depth: My Issue With Jason Todd

I don’t hate Jason. For a while, he was even one of my favourite members of the Batfamily. But then…I came to realize that I was loving him more for his potential as a character than anything, because he’s so inconsistently written. Much of what fandom loves about Jason has little to no basis in canon. It’s great that fandom has made him into a more interesting and three dimensional character, but that doesn’t mean it exists in the canon version of him. And when I look at the canon version of him…well, he just doesn’t actually have much of his own.

I wrote a post a while back about the issue with the Robin mantle, where I discussed how the Batfamily is collapsing under its own weight. And I think if you exclude characters like Harper Row and Duke Thomas to focus on what’s usually considered the “core” Batfamily, it’s most obvious with Jason, to the point of being actually glaring. Sure, Jason has largely grown out of being the Dick clone who even had his same backstory that he was pre-Crisis, but for a long time, everything he got was Dick’s castoffs. He doesn’t even really have a generation of his own – in the very brief period during which he worked with the Titans, he was there as Dick’s younger brother, because that was the original team that Dick had founded. In the first Red Hood and the Outlaws, he was partnered with Roy and Kory – again, Dick’s friends, not his own. And in order to make that work – to the limited extent that it did – DC had to take two characters, both with much more history of their own than Jason and tear apart all their characterization. The end result? No one except Jason fans was happy.

Nowadays, Bruce’s thing for adopting every kid he meets is a fandom joke. But I think it’s important to remember how that started – he got lonely and missed Dick so he brought home Jason. It was only after forty years of contentment with his one kid that he felt the need to adopt another, and that was only because his one kid had left home. Contrary to what fandom would have you believe, Bruce does have some element of self control. He’s met plenty of kids without feeling the need to take them home. Dick was different because of how much he saw himself in him. The only reason the Batfamily as we know it exists is because DC realized Dick was too good and too popular a character to remain Bruce’s sidekick forever, but still wanted to preserve the Batman and Robin dynamic in some form. That form was Jason. Jason was literally Dick’s replacement, both in and out of universe. His issues stemming from that are so hugely important to his character that when he moves past it…where does he even go? You could argue that Dick had a similar issue, with a large chunk of his character revolving around his need to move out of Bruce’s shadow, but he also had plenty of other stuff going on so that he could become his own hero and still have stories worth telling, even though a number of writers do go back to that tired idea of him struggling to live up to Bruce. Jason, not really so much. He’s too heavily defined by two stories.

I came across a discussion the other day about Dick and how you can argue that he’s been around longer than all the other Robins combined. Sure, it depends on whether or not you count the years in which one of them was dead, but Dick’s history is so long, his impact on the universe so heavy, that I started immediately thinking about the idea of how that legacy has impacted the stories we get. Legacy matters in DC. This is especially true for the Batfamily. Jason as Robin was one of the first legacy characters in that he was specifically introduced to take up the Robin mantle. And because of this, writers didn’t know what to do with him beyond having him fill Dick’s shoes alongside Bruce, which resulted in a weird kind of limbo where he didn’t have his own friends or own storylines or anything – just him, the only one in his generation, with stories that were just rehashes of Dick’s. Dick has Wally, Donna, Kory, Roy, Garth. Tim, Cass, and Steph are all in the same generation, along with Kon, Cassie, and more. Who does Jason have, though? Maybe Artemis and Bizarro, now, but mostly he’s dependent on Bruce and the Robin mantle for meaning. This can translate a little awkwardly into stories.

Let’s consider the Young Justice cartoon for a second. I absolutely adore YJ. I was so happy when we learned we were getting a season three. As far as I’m concerned, it stands as a model for how to please both comics fans and those that have never read a comic in their life. It respects canon while not being tethered by it. But. Jason’s existence in that universe coupled with the fact that he actually appears in season three makes me question what they’re going for with him in a thematic sense. The show compressed the timescale and skipped five years in which a lot happened. We don’t know how old Dick was when he became Nightwing, just that in five years, he went from being not ready to lead the team to an eighteen year old kid with two younger brothers, one of which is dead, playing speed chess with everyone around him, who everyone listens to. And as a Nightwing fan, as much as I would have wanted to see those years we missed, that’s awesome! Season two of Young Justice let us see him be his own hero. In a lot of ways, it did the same thing Titans is doing right now – not really showing us the origin, because it doesn’t matter. We know Dick and the how isn’t quite as important. But if I consider it from a different perspective, the fact that in those five years, Dick grew up, Jason came and went, and Tim became Robin? It’s a lot. Too much. They’re all uncomfortable close in age, and it kind of diminishes the legacy, which doesn’t do Jason any favours.

Robin is a hugely important concept. The idea of Robin as a Gotham legend informs a lot of what we know about the characters to have used the name. It changes not only a lot of Dick’s character to have been Robin for less than ten years, it changes what Robin means to the entire DCU. Arguably, comics Dick is more attached to the vigilante lifestyle than any other character. He’s been doing it for well over half his life. Him being Robin for nearly ten years – half his life, at the point when he gave it up – meant that he’d made Robin into a symbol that the whole world knew. One that Jason wanted to wear. One that Tim viewed as absolutely essential for Batman’s continued existence. But in Young Justice, as gorgeous as Dick’s character development is, the mantle itself doesn’t have the same weight, because all the focus is on Dick’s complicated relationship with potentially becoming Batman, not on the heaviness of his own legacy. If it were on the latter, we’d have gotten way more mentions of Jason in season two, more scenes between Dick and Tim. But we didn’t. So I can’t say I care about his appearance nearly as much as what seems like most of the fanbase, because without the context of that history, there’s not enough there to make me actually invested. Now that we’ve seen him, I have to consider the fact that it’ll be mainly comics knowledge that makes me care. I trust the writers to make something compelling, because they’ve always done that, even with characters I didn’t come in having any investment in, but without focus on the weight of the Robin name or on the Batfamily as a family, Jason means pretty much nothing to me. His story will be entertaining…but that’s it. Nothing where he needs to be a major character, or stick around past the end of his arc. That’s almost disappointing, because in my opinion, Jason can work in adaptations better than in main continuity comics.

I was talking to a friend recently about the uniqueness of the comic medium. We lamented the fact that superhero comics have become kind of circular, and endless cycle of death and rebirth with no lasting consequences and nothing meaning anything. In fact, I wrote a post about a similar issue in X-Men comics and how Chris Claremont wanted endings in a medium without them. When it comes to DC, that seems especially applicable to Jason, because his character development is so constantly reversed. That’s why I think he’s better suited for things like miniseries or one shots – those end. The characters age and the story wraps up before it becomes necessary to recycle the plot, so Jason could grow in a way that the nature of comics just don’t allow. I’ve seen a lot of people indicate they want him to get a full show, but I don’t see that working out. With shows, there’s a similar issue to comics – there’s no clear end. And Jason needs an end to work. I said at the beginning that I thought he had potential as a character and that’s why I cared about him. But truth be told, that’s not it, either. Because for me, his potential is limited. Jason isn’t a character suited to comics as we know them. I find him interesting through to Under the Red Hood, and maybe a bit after that, if the focus is on him getting past his anger at Bruce…but not any longer than that. Not if he continues being a vigilante.

There’s nothing sufficiently unique about him as a vigilante. His strained relationship with Bruce? Uh, duh, Dick had that first, that’s why Jason even exists. Grew up poor in Gotham with parents that weren’t exactly model citizens? So did Steph. A Gotham vigilante that’s thinks killing is sometimes necessary? Helena and Kate are right there. And all these characters have more going on. Jason may be older than all of them except Dick, but that doesn’t mean he works as well. As far as I’m concerned, if Jason still has potential, it’s not as Red Hood. If his character is going to go anywhere, it’s going to have to be as a civilian. DC doesn’t really do civilians, so I know this isn’t something that’s going to happen, but vigilante!Jason just feels static to me. Sure, he occasionally has some moments of growth where he moves past his issues with the Batfamily…but those issues are so crucial to the way he’s been written for so long, pretty much all writers bring them back to prominence eventually. There hasn’t been a single writer yet that has given me a compelling story of who Jason is beyond that angst. As long as he keeps killing people, that overdone tension with the Batfamily will continue to exist, and if he stops, well…the roster of Gotham vigilantes is overcrowded either way, but at least in the first way, he’s a little different from his family.

Oftentimes, talking to a character’s fans when I’m not a huge fan of said character helps me develop more of an appreciation for them. That’s been the case with characters like Tim Drake, Conner Kent, Cassie Sandsmark, Kyle Rayner, and more. It hasn’t been the case with Jason, at all. This combined with my general lack of understanding of a possible direction for his character has left me pretty confident that as much as I can appreciate the idea of him, appreciate Lost Days and Under the Red Hood, I’m probably not going to ever be keen on him in anything ongoing. Right now, I find him too shallow a character to be sustainable. But who knows – after all, it’s almost always possible to redeem a character. I didn’t like Damian at first! Now he’s one of my favourite members of the Batfamily. So maybe there’ll be a writer some time very soon that completely changes my opinion on Jason. I hope so. Comics are way more fun when I care about all the characters that show up in the runs that I’m interested in. It’s just that the material we’ve gotten for years now makes me skeptical that’s gonna happen.

Romance In Comics And The Editorial Tug Of War Over Characters

Hi! Popping back in after weeks of absence to discuss how romance in comics can serve as an indication of what is currently seen as the most important aspect of a character.

As probably anyone that’s reading this knows, I love Dick Grayson. I’m very much invested in stories about him. But I do not care whether he ends up in a romantic relationship with Starfire or Barbara Gordon or any other character. I like Kory, I love Barbara, and there’s probably not going to be a new love interest that I actively can’t stand, so. It does not matter to me. What does is Dick getting to remain the beautifully complex character I’ve literally loved for more than half my life and develop so that he doesn’t stay stagnant forever. Unfortunately, it’s impossible to talk about his development – past, present, and future – without discussing his romantic relationships. This is because his relationships with his two most prominent love interests act as kind of a barometer for what editorial considers most important about him, and as such, what we can expect in the future.

Characters that have their own solo series – characters that are considered anchors, of a sort – usually have their own supporting cast from which the key players are chosen, the key players being love interests, Rogues Galleries, family members, and the like. It makes sense – it’s way cleaner than trying crossover pairings. I think that’s one of the many reasons Superman and Wonder Woman didn’t work. It’s not just about Lois. It’s that you can’t have them as main characters in each other’s solo titles. Forget about in universe reasons and how iconic Superman and Lois Lane’s relationship is. Long term, Superman and Wonder Woman can’t last, because it’s not practical in terms of writing. That brings me back to Dick.

Dick is a unique case. He’s undoubtedly a major character – he’s got his own series and supporting cast. He’s one of the core members of the Batfamily. He’s led the Titans – hell, he’s led the Justice League. He’s absolutely not a character that’s only perceived as important as a member of the Titans. Despite that, for a long time, his most important romantic relationship was with his fellow Titan, Kory. Someone that has absolutely nothing to do with Gotham or Bludhaven. What’s interesting about this is that while in many cases, this sort of relationship would indicate to me a character that writers and editors had no intention of developing as an individual, the context and timeline behind it make it seem more like the era in Dick’s publication history where he was most independent.

Dick joining the Titans was him asserting his independence, because he didn’t have a solo series until the 90s. He was defined by his partnership with Bruce. His relationship with Kory, his leadership of the Titans…those things helped him break free of being considered a supporting character. And you know how I said that I don’t really care whether Dick’s with Kory or with Babs or with someone else altogether? That’s still true, but despite all the good elements of stories featuring him in recent years, despite the fact that I’ve loved seeing him as Batman and as the eldest son of the family, all told, the era where he and Kory were a couple and he was on his own was probably better for him as a character.

Dick’s relationship with Kory spoke of a time of freedom for him. He was involved with her when he gave up the Robin identity, when he became Nightwing, when he wasn’t on good terms with Bruce. They went through a lot together. And they could have still been together today…had it not been for the tug of war between those writing the two of them and those that wanted to bring Dick back into the Batfamily. The latter won out. And as much as I do love his dynamics with the different members of the family, it kind of sucks that him going back home involved pushing him back into being, on some level, a Batman sidekick, rather than the completely independent and awesome hero he had become.

When Dick is off with a team – whether that team be the Titans or the JLA – he gets to be the hero that learned from both Batman and Superman, the former sidekick that’s surpassed his mentor. But – as I brought up in a post I wrote a while back on the issue with the ever expanding Batfamily – when he’s back in Gotham, in the same story as Bruce, he’s often pushed back into Batman’s shadow, because Bruce has to be so special that his son can’t ever be better than him at anything. So he gets deaged, made less competent, and has parts of his history erased. That brings us to his relationship with Barbara.

When Dick shifted back to being considered a Bat character, we started to see the rise of his and Barbara’s romantic relationship. That has continued into the present. When it comes to comics, Dick is nowadays considered primarily a Bat character and secondarily a Titan. His relationship with Kory has been left to the past. He doesn’t spend nearly as much time as he once did far away from Gotham with the Titans. The focus is on his relationship with his family. Romantically, he’ll have brief relationships with others, but those are relationships that we know have expiration dates. Even while he’s in those, there are reminders of his and Barbara’s relationship. Right now, that’s a pretty significant part of who he is (of course, once we bring in the Ric thing, there’s a lot more discussion to be had about the nature of who he is and Barbara’s importance, but frankly, I’m way too tired for that. Let’s not talk about Ric).

In adaptations, it’s different. The Bats aren’t so much the priority anymore – not like they were in the 90s and early 2000s with Batman: The Animated Series and the related movies. Even though the comics version of Dick and Kory’s relationship has been left to the past, that’s Dick’s primary relationship in the adaptations, possibly just because we haven’t had as much real Batman stuff as we used to. The exception appears to be Young Justice, as of season 3, because that version of Dick is involved with Barbara. This is interesting, because it seems to me a sign that the Batfamily – and by that, I mean the family, not just Batman or Nightwing – seems to becoming a priority in at least this one adaptation. Dick has been a major character from the beginning, of course. And Bruce has had quite a few significant scenes, and is arguably one of the most important supporting characters. But it wasn’t until season three that we really started delving into the others. We have Tim, of course – we knew that already – and Steph, and promos have shown we’re getting Cass…but in a spectacular wham shot, we now know we’re going to see Jason and baby Damian, as well! This season is likely going to have a lot of the Batfamily, and we should have seen that coming from the second we found out that Barbara had become Oracle and was flirting with Dick via text, because the second we knew Young Justice involved their relationship, we knew that this version of him is most definitely being written as a Bat.

I find this a tiny bit frustrating, not because I’m opposed to any of these relationships or to having a character fit different roles in different stories, but because it implies that writers and editors find Dick to be kind of a piece of clay that they can stick in different places to tell other stories.He is a malleable character. None of his relationships are comparable to, say, Clark Kent and Lois Lane in terms of how essential to the character it is. He does serve different purposes in different stories, and I’m all for exploring his different relationships. But that doesn’t mean it always has to be romantic. I’d like some more focus on his consistent traits and on the strength of his friendships. Because those are just as important – indeed, when it comes to Dick, probably more – than his romances, and having this much weight given to his romances really isn’t all that helpful to actual character exploration.

‘Titans’ And The Strange Feeling Of Enjoying Each Episode While Being Disappointed By The Whole

The first season of Titans had eleven episodes. Of those, I at least liked ten, and loved maybe eight. Despite that, the entire thing left me feeling distinctly underwhelmed. That being said, I disagree with quite a few of the reasons I’ve seen other people give as to why they didn’t like the finale.

Nightwing

From what I’ve gathered, there is a lot of conflicting opinions about Dick this season. A lot of people are upset that he’s been getting so much screen time compared to the others – my response to that is, he is easily the most popular character in the main cast, he’s my favourite comic character of all time, and he’s getting a beautifully nuanced live action take for the first time, so don’t you dare try to ruin it for me. Another large contingent has been complaining that we didn’t get to see him become Nightwing in the finale. Now that I’m going to talk about in detail.

I’m okay that we didn’t get Nightwing yet! I really am. I love Dick Grayson with all my heart. I love his journey into becoming Nightwing, I love him taking on the mantle of Batman, I love his relationships with his family and friends and the lasting impact he’s had on comics as a whole. And because of that, I want it to continue to be a slow build. I want it to be earned, not rushed. Because the costume change is just that – a costume change. Him becoming Nightwing is far more than that. It’s about him choosing his path, about moving on and growing up.

So, no. I’m not disappointed that we didn’t get a Nightwing suit in this episode. Or, well…maybe a little. The show really felt like it was building to that with the first eight episodes. But given the context of the finale and the previous episode – Dick running into the house after Rachel – it wouldn’t have made sense. When would he have had time to make a new suit? Why the hell would that be his priority? The reveal wouldn’t have had time to breathe properly, so I’m glad that’s going to happen later, when it can have the dramatic weight it deserves. What I am disappointed about? That the episode just ended with Trigon corrupting Dick.

The entire season focused on Dick overcoming his darkness. On Dick moving past Robin; coming to terms with his past; realizing that while Bruce wasn’t a perfect parent, he still tried really damn hard. Dick was the central character. He was the heart of the show. And to end the season without that arc resolved, without him deciding, no, I’m not giving into that darkness, is just a really dumb cop out. It’s lazy writing that cheapens his beautiful development. It would have been one thing had this been the penultimate episode, rather than the finale – a setback before he pushes his way through the illusion for Rachel – but it wasn’t. And I know, a lot of that’s probably due to Trigon’s manipulation, but the problem with that is…I don’t think that matters. Not when it comes to a season finale. It doesn’t matter why, it just matters that this character arc – the only real character arc in the show – didn’t get a proper resolution, rendering all of Dick’s character development not quite meaning-less, but certainly not meaning-ful. The suit is just a suit. But the season should have ended with Dick at a point where he’s ready to be the hero that wears it.

And even setting aside the thematic issues, if Dick killing Bruce is due to Trigon’s influence, it wasn’t done in what I consider a compelling way. Yes, it was cool to see how he bent reality every time Dick was ready to walk away to push him into confronting Bruce. But even so, the moment when Dick killed Bruce fell flat. It didn’t feel like much of anything, least of all the climax of anything. It was just a letdown.

Guest Star Spotlight Episodes

There have been five episodes out of the eleven that were named for/centred around/introduced guest characters: “Hawk and Dove”, “Doom Patrol”, “Jason Todd”, “Donna Troy”, and “Hank and Dawn”And when you look at it just from a numbers perspective, then, yeah, it does seem like an inordinate amount of time focusing on characters that aren’t in the main cast. But I really don’t see it that way.

For a start, not one of these episodes is included in my personal list of “episodes I didn’t love”. I thought every one of them was excellent. “Hank and Dawn” deserves special mention in that category as well, because I was hugely skeptical going in – it was placed right after a cliffhanger, it was the second guest episode in a row, it was a flashback episode without the main cast, it was the antepenultimate episode – but when I watched it? I loved it. It kept my attention the entire way through, and I didn’t miss the main cast at all.

In addition to this, just about all the guest episodes aside from “Hank and Dawn” weren’t really about the guest. “Hawk and Dove” introduced Hank and Dawn, but focused more on Dick and Rachel’s relationship and Dick’s issues with family. “Doom Patrol” was more about introducing Gar and having him join the team. “Jason Todd” and “Donna Troy” were both about Dick’s relationship with his past and the Robin identity and the struggle he has to reconcile his love for Bruce with his anger towards him. Titans has mostly been a character focused show, and all these guest episodes served as a way of exploring the lead character.

In what might be a controversial opinion, I also think that two of the guest episodes – “Doom Patrol” and “Donna Troy” – were some of the most cohesive episodes in terms of developing the entire main cast and balancing plot with character development. In the former, we had Rachel bonding with Gar and Dick clashing with Kory, as well as Gar joining the other three. In the latter, we had more character development. We got to explore more of Dick’s past and his lighter side, through his relationship with his best friend. We also had scenes of Kory, Rachel, and Gar on the train, with Kory and Gar – who’d had very little interaction until this point – talking and bonding. We found out what Kory’s mission was. It was a very, very well constructed episode. I don’t think there’s a single episode without the guest stars – except maybe, maybe “Asylum” – that managed that level of cohesiveness.

So my issue with the guest star episodes isn’t at all that they existed. It’s not that guest stars were spotlighted more than the team as a whole. It’s not that they took up too much time in the season. It’s that they didn’t really go anywhere. When it comes to comic book media, I love a meandering, character driven story, because that’s a lot of what the heart of comics are. But that doesn’t mean the plot can be entirely abandoned or that character arcs can be nonsensical. If you’re going to having a running plot instead of actually leaning into the idea of “miscellaneous stories in the same world”, there still has to be thematic coherence and some amount of resolution. And with the finale, we didn’t get that. It felt like stopping at an absolutely inexplicable time.

What I thought was going to happen after seeing both “Hank and Dawn” and the preview for “Dick Grayson” was that Rachel was going to call Hank and Dawn, tell them to find Jason, all of that because she was trying to save Dick and snap him out of his Trigon hallucination. I figured the episode was going to be split between Dick in the illusion and Rachel outside of it, connecting the episode plot to the overall season plot, to the overall importance of Dick and Rachel’s relationship. But none of that happened. We only saw Rachel at the very end. Gar was nowhere to be seen, Kory and Donna were both stuck outside, Hank and Dawn were presumably still at the hospital, and Jason was probably in Gotham. It was messy, with too many dangling threads.

If, as I’ve heard, Hank, Dawn, Donna, and Jason are all going to be recurring characters in season three, then there is too much going on. Especially with the stinger featuring Conner escaping Cadmus. They keep introducing new characters and plot threads, but don’t seem to care enough to wrap them up, or even bring them all together so that they can eventually wrapped up. They’re juggling a lot and dropping the balls.

Kory and Gar

Look, everyone reading this probably already knows I’m biased. As I’ve said in just about every post I’ve made about comics and related media, including this one, Dick is my favourite character. And I’ve never really been a fan of either Starfire or Beast Boy. So I’m never going to complain about the show or season focusing primarily on Dick and his growth into the best version of himself. And while I wouldn’t object to Kory, Gar, and the team as a whole getting more focus, I totally disagree with the claim that centring the story on Dick is the problem, or even one of them.

like this interpretation of Kory just fine – hot blooded, the first one to resort to violence to solve a problem, cocky, a kind of weird sense of justice…but frankly, there’s not enough there for me to love her. She’s a pretty shallow character so far. There are traits that can be interpreted from her actions, but she hasn’t had a real arc, hasn’t had those traits clearly defined and reiterated. I don’t mind watching her, but I also don’t really care either way. I’ve rewatched the pilot a couple times, and I’ve skipped through her scenes. While Anna Diop was engaging enough to keep me from getting bored the first time I saw it, I didn’t care enough to watch those scenes again, and skipped through them to get to what I really wanted to see. If season two focuses more on her, I’m going to need it to be with a much more compelling plot than she has amnesia and wants to figure out who she is. Gar has had even less screentime than Kory so far. And to me, that’s weirder than how little Kory we’ve gotten, because there’s, like…no actual reason for him to be around, either in terms of plot or in terms of the writers having something they want to do with him. He’s just here to be here. It feels kind of like how it always felt to see Storm in the X-Men movies. She was there…but not actually to do anything. Just because the writers thought, oh, X-Men, we need Storm, right? He’s going to need a lot more fleshing out in the future…but the lack of fleshing out so far isn’t why the story fell flat.


I liked episodes 1, 3, and 10. I loved 2, 4, 5, 6, 7, 8, and 9. And with 11, I enjoyed several different aspects of it. But overall, it didn’t make much sense. It neither advanced the plot nor advanced the characters, and in some ways, reversed the character development that had already happened for the sake of getting them to a certain point. And that made the meandering plot and the slow focus on character growth far less appealing because of how jarring the finale was.

I’ve heard several rumours about the season and how it was supposed to go – that they cut an episode and merged parts of it with other episodes, that they cut large chunks out of the finale, that they even split it in two to make the second half the premier of the second season. I don’t know if there’s any truth to any of those rumours. But if the last one is true…that would make way more sense than what we got. It’d be frustrating, sure – but at least then, I’d know that it was just a bad idea, rather than writers setting something up perfectly, then screwing it all up.

I still enjoyed each individual episode enough to want to watch season two. I’m reasonably confident I’ll be at least entertained. But I’m really hoping that season two will be more coherent.

Batfamily Dynamics In ‘Titans’

So you know how I love the Batfamily? Well, I do. And that’s another reason watching Titans makes me geek out like an idiot. It’s so centred on Dick and his growth that we get a lot of insight into how his family affected him. It gives us a unique and compelling take on Dick’s relationships with both Bruce and Jason, without having them as his entire story, and it’s fascinating to watch.

I loved getting to see Dick interact with Jason. But I haven’t seen anyone discussing the one thing that kind of weirded the comics fan in me out – the ages and the impact they have on the inter-Batfam relationships. Jason is the only character whose age we canonically know, because it was actually brought up in the show. Sure, people involved with the show have given us some numbers – or at least, vague ideas – for the others, but remember, Writers Cannot Do Math. So until everyone else’s age is solidified within the show, the only thing I’m willing to assume is Jason’s. Unless he was lying for some reason I don’t understand, Jason is explicitly nineteen. He’s also explicitly been with Bruce for about a year, so pretty much immediately after Dick left. Presumably, him going out as Robin has been recent, both because Robin hadn’t been seen in over a year as per the beginning of the pilot and because he needed time to learn the necessary skills. That confuses me, because it means Jason has been a legal adult for the entirety of his relationship with Bruce. He’s not an adopted son anymore. He’s not a child soldier. He’s young, brash, stupid, but he’s not exactly the kid that sees it as a game – he loves it, thinks it’s fun, but he also is okay with the idea that he’s drawing fire. It changes the relationship between all of them.

I’ve always thought that the age of becoming Robin was most essential to Dick, and less so for everyone else. This is because Dick’s story was about loss and pain. It’s a clear parallel to Bruce’s – they lost their parents at about the same age. They started fighting crime to deal with it. By the time Dick became Nightwing, he’d been Robin for pretty much half his life, and he’d set aside the role in a way Bruce never would have been able to, had their positions been switched. In the show, he’s been Robin for even longer. So it makes perfect sense that in the show, he is having a hard time letting go! With everyone else, except perhaps Damian, it seemed like their age was much less important. But now, I’m wondering if I was wrong. It may not matter whether Jason is eleven, thirteen, sixteen. But I think it does kind of matter that he’s a minor.

One of the recurring points in the comics is that Jason kind of saw being Robin as a game. He wasn’t as emotionally invested as Dick, who had a personal reason for putting on the mask. He was a kid that was kind of in over his head. Aging him up changes the tragedy, because now he knows what he’s going into. He’s not just a kid having fun and loving the attention anymore, he’s an adult more capable of making his own choices. So for me, his anger at Bruce upon his resurrection won’t ring as true anymore. Likely, Bruce’s guilt won’t, either. It seems likely that, if Death In The Family is ever adapted in this show – which I doubt, honestly – they’ll have to take his becoming Red Hood in a very different way. With the implication that Dick telling him he should cut out the tracker in his arm will lead to him doing just that, leaving Bruce unable to find him, I wonder if adapting that arc would focus more on Dick’s guilt than Bruce’s.

That leads me to Jason and Dick’s relationship. I find that very interesting, thanks to the age gap. DC often tries to convince us that they’re very close in age, rather than Jason being closer to Tim’s than Dick’s. I seem to recall Rebirth insisting that they’re only a year or two apart. This is despite the fact that I’m pretty sure when Jason was introduced, he was eleven and Dick was eighteen. But Titans is actually acknowledging that Dick is significantly older. More than that – because both of them have been aged up, it’s easier to see how much they’re in different stages of their lives. That made it fascinating to watch, because Dick was clearly trying not to take out his anger at Bruce on Jason, and only partially succeeding.

Throughout the scenes when they were discussing the Robin moniker, I was unsure whether it was clever or an oversight due to DC’s long history of ignoring how personal Robin is to Dick. When I look at it from my own perspective – that of a fan that knows the history of Robin – I think the former. And since it’s on a DC streaming service, viewership is mostly limited to DC fans with a solid knowledge of the comics history. So from that perspective, it makes a beautiful amount of sense to not bring up what Robin really means to Dick – his family’s colours. His mother’s nickname for him. Dick has spent a long time closed off from other people. He’s not going to just spill his life’s story to the random kid that came barging into his life wearing his costume and calling himself by his name. It’s more than enough that the audience knows why he’s questioning why Jason didn’t make his own identity, why he’s upset that his father figure handed over his name and costume to someone else the second he left, why he’s having such a hard time letting go of Robin and carrying the suit with him across the country. But. That doesn’t work as elegantly for viewers  that aren’t comic fans.

The episode didn’t delve into the origins of Robin, why Dick has so much difficulty letting go, why he has every damn right to take his suit all around the country and be annoyed at the kid that acts like he knows what Robin represents without knowing any of the history behind it. So for viewers that don’t know and love Dick Grayson, it must come across very differently. Jason’s speech must seem like a genuine armour piercing speech, cutting to the heart of Dick’s issues. And to an extent, that is the case. Dick doesn’t really know who he is, doesn’t know what he wants or needs. But it isn’t like he’s a kid that’s outgrown his favourite sweater but doesn’t want his little brother to get to have it. This isn’t about him refusing to move on. It’s about him being unable tobecause he’s afraid of what letting go will mean.

Titans is shockingly subtle for a superhero TV show. It’s utterly character driven. I’m not used to this kind of storytelling when it comes to superhero media. It’s slow. It’s indirect. It waves forward than rolls back. It has characters go through similar storylines for very different purposes. If 1×06 was about Dick’s relationship with Bruce, 1×07 was the obvious follow through – his relationship with himself. His self loathing and anger and confrontation of the fact that it’s not really Bruce he’s mad at – he’s mad at himself. 1×06 ended with Dick acknowledging that Bruce did the best he could. 1×07 focused on Dick hitting rock bottom, because if he’s done blaming Bruce, it’s time to look inwards at himself. It’s nuanced. It’s hard to watch. It’s awesome.

It seems most people weren’t expecting anything this subtle, and as such, aren’t taking the time to interpret it as they would non superhero stories. You can see that both through the complaints that 1×07 was the same thing as 1×06 and through the complaints about Donna “badmouthing” Bruce in 1×08 when she contrasted Batman and Wonder Woman by saying Batman was created to punish the guilty, rather than protect the innocent. I saw a lot of people mad about that, saying that it’s missing the point of Batman and all that, but I don’t think that’s true at all – it’s been made very clear throughout the show that this perspective on Bruce is only part of who Bruce really is, and it’s coloured by bitterness and anger. Donna’s quote was even more like that than Dick’s own thoughts on Bruce, because Donna’s attached to Dick. She loves him and cares about him and saw how much all of it was affecting him.

That doesn’t mean that Dick doesn’t still care for Bruce! It doesn’t mean Bruce is the “bad guy”. It means that Bruce and Dick are flawed people with a flawed relationship. It means that vigilantism as a lifestyle is ridiculously unhealthy. It does a disservice to the quality of the writing to simplify it down to “they’re painting Bruce as a villain”. Dick went from refusing to talk about Bruce to casually referring to him as his dad to a stranger. And yeah, sure, that was probably at least in part because it was the easiest way to get the point across without delving into their whole relationship to a random person – the guy was already weirded out by Dick reminiscing about when Donna got her first camera before even introducing himself, how much more weirded out would he be if Dick started going on about his foster father that took him in after his parents fell to their deaths in a trapeze accident? But it was also about Dick coming to terms with himself and his relationship with the man that raised him. It was him remembering that his childhood had good times as well as bad.

Kory joked about Jason being younger, healthier, and smarter than Dick. As comic fans, we know only one of those things is true. But it made me consider what I know about this version of Dick – not comics knowledge, not cartoon knowledge, just what has been revealed in the show. And that’s kind of awesome to think about, because Dick hasn’t done any real acrobatics yet. For all that a segment of the viewership complains about it being the Dick Grayson show, we don’t really know all that much about his past, either. He hasn’t gotten a chance to show off many of his skills. That’s because the focus has been on who he is, not what he can do or how he learned it or the details of how he became who he is. And it works.

I’m obviously biased, due to my love for him, but even if I weren’t, I think it would still be pretty clear to me that Robin is one of the main characters of all those to have ever been part of the Titans. Almost certainly the most popular. Dick was the only member of the original roster that was included in the main cast of the cartoon and the main cast of this show. He leads the team. He’s had a successful solo series. He’s the poster boy for how Sidekick Graduations Stick. So, yes. It doesn’t bother me at all that the show is called Titans, while really being about Dick. It probably would if any other members of the Batfamily – except Tim, but that won’t happen for a while, if at all – end up as main characters, because that would be making it not a Titans show. Focusing on Dick? That’s just picking a main character.

Dick’s arc has moved beyond his issues with Bruce and into the territory of his issues with himself. So we don’t need a confrontation to conclude the character arc he’s going through – which is good, because introducing Batman will no doubt pull focus from the team that the show centres on, even though we know full well he exists without him showing up. However, because Bruce has been a spectre hanging over Dick since the first episode, we at least need something. It’s not going to be enough for Dick to be like, “hey, I worked stuff out with Bruce, we’re cool now”. For better or for worse, whether the resolution is us hearing the beginnings of a phone call or a season ending with him knocking on the door of Wayne Manor, we have to get something, and it has to have some amount of dramatic weight. The build up has been subtle. But the conclusion needs to be more.

Titans leaves me both wanting more of the Batfam and knowing there are few ways in which that could actually work. I don’t think Jason can carry a show. I know making any other members of the family recurring characters will pull too much focus away from what the show is supposed to be about. And being one of the Titans, rather than in a Batfam show where he’d always be second fiddle to Bruce, is better for Dick as a character. All this together means that I’m holding my breath, waiting to see how the writers handle the issue in the end of season one/beginning of season two, because they’ve built it up so beautifully, it’ll be downright tragic if the conclusion doesn’t measure up.

The Robin Issue

Dan DiDio famously hates Dick Grayson.

DiDio is the DC equivalent of Joe Quesada – not just in terms of their position, but in terms of their attitudes towards superheroes. He hates endings, he hates characters getting to grow, and he thinks happy endings are boring. It’s been a long running joke in fandom that Nightwing’s greatest nemesis isn’t Deathstroke or Blockbuster, it’s DiDio. And a while back, he made a comment about precisely why he hates Dick that I found interesting – and by interesting, I mean frustratingly ridiculous. And that comment was that he hates him because he’s getting older.

The reason that I hate Nightwing is that he’s getting older… The reason people like Nightwing because he aged with them. But Batman can’t get older.

This is something I disagree with for multiple reasons – mainly because I think it’s silly to claim that a character as popular as Nightwing is only liked for one reason, and that it’s completely inaccurate to say he can’t get older. But even though I disagree, the comment made me think about the roles Dick has had in comics throughout the years, and comments I’ve seen from various people about different members of the Batfamily, and I came to a rather unfortunate conclusion that it’s not really that I disagree with his point so much as that I disagree with who the point is about.

I adore Dick Grayson and his relationships with other members of the Batfamily, but we’ve reached the point of oversaturation. DC has spent so long relying on a formula that works when it comes to non-powered heroes that they’ve wrung out just about every bit of use they can get out of it. As the first, and arguably the last, kid sidekick, Robin is hugely important to the Batman mythos…but I think it might be time to retire the mantle.

The Many Characters To Use The Name

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A few months ago, there was this whole thing going on. Zack Snyder had mentioned on Vero that he had envisioned the Robin whose suit we saw in Batman v Superman. There was quite an uproar about that, with a lot of people objecting to the idea because “being killed by the Joker is Jason’s story”. Similarly, many people complained about the characterization of Dick in Titans, insisting that he was behaving more like Jason or Damian. I found both of these complaints very strange. Because you know what? Even assuming they’re true, after everything that the other Robins have taken from Dick, I don’t see a problem in Dick retaliating.

The thing is, Robin is one of the legacy characters with the most people that have held the title. The Batfamily in general is enormous. Between Alfred, Dick, Jason, Tim, Barbara, Stephanie, Cass, Damian, and Duke – even if the current roster doesn’t include all those people – it’s a massive slate. And the one that ultimately loses out is Dick.

For a significant amount of time – close on twenty years, really – what we now call the Batfamily was just Bruce, Dick, and Alfred. And it was a dynamic that worked, which was why Jason was introduced to begin with. But now? Now, it’s too much. There are too many characters, and because so few writers have a good enough sense of nuance, there’s little sense of what makes each of them unique. It’s not a zero sum game, or at least, it shouldn’t be. But every time there’s a new Robin, they get some of Dick’s character traits, plot points, even friends, in an attempt to give them a clearly defined role within the family. To try and justify their existence – to make their value clear – writers have to lessen Dick, make him less competent, intelligent, driven. He’s a hugely popular character. Yet with how he often gets treated in works where he’s not the central character, you’d think he’s the Betty Kane to Jason, Tim, Damian’s Barbara Gordon – a far less competent character than the others to bear the name whose only claim to fame was being there first. That is painfully far from being true, because Dick defined Robin. Everyone to take up the mantle after him took on at least some of his traits.

Jason got Dick’s sometimes strained relationship with Bruce. Tim got his intelligence. Cass got his “best athlete in the Batfam” thing. Different people have started arguing that everyone should get his position as heir to Batman. Even Alfred plays a role, because he took on the position that was originally Dick’s as the most important person in Bruce’s life, the first one that he trusted and considered family. That last one has now been true for longer than it wasn’t, so I don’t mind it so much, but it is frustrating to see just how many comics involve writers forgetting how important Dick is while singing the praises of other characters for something Dick was first.

The Gradual Lessening Of Character Complexity

Dick is hard to write well, because even more so than the other characters in the family, because you can’t really distill him down to core characteristics. If you do, you’ll end up with seemingly contradictory traits that you’re forced to choose between, because he is that much of a complex character. It took him years to truly define himself, but when it comes down to it, he learned his attitude from Superman and how to deal with criminals from Batman. When Dick is written well, he’s the jack of all trades. He might not be as good a hacker as Barbara or Tim, as good a marksman as Jason, as good at fighting as Cass, but he can easily beat anyone else at all of those things. He has one of the worst tempers in DC while also being one of the nicest people. He’s a loner with social skills. He’s the former teen rebel that became the Golden Boy that set the standard all his successors have to live up to.  He’s a character that really can’t be simplified without cutting out half of what makes him interesting. It’s why he’s my favourite character.

Both in and out of universe, Dick was a trailblazer. He inspired a whole generation of heroes. He’s a monument to everything Bruce has ever done right. He has – or maybe has had is more accurate – interesting relationships with just about everyone else in DC. And because all of this was built up over eighty years, it all felt earned. Nothing felt rushed or undeserved – everything to do with his character, from leading the Titans to moving to Bludhaven to becoming Batman – was a natural progression of the character. It’s why I can buy his version of “student surpassing the mentor”. It took pretty much the entire time from his debut in 1940 to being the Batman to Damian’s Robin to do it fully. It was a lot of effort and time, but he did it.

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A lot of the newer characters just don’t have that level of nuance. Whether it’s because DC is impatient or they haven’t had good enough writers yet or any number of other reasons, their progress into becoming a hero falls flat. Take characters like Harper Row. Sure, she’s not used too much anymore (if at all, I can’t remember), but when she was, she came across to me as a complete creator’s pet. She had the same “get characteristics from predecessors” thing, but it was poorly done and felt jarring, because the writers felt it wasn’t enough to have one thing she was great at or many things she was good at, she had to be more determined than Steph, better with tech than Tim, be described by Bruce as his ideal Robin. That’s a problem that I think will only get worse with time and more new characters, especially if those characters become Robin.

The Batfamily is now considered by many to be basically everyone in Gotham. The roster as it stands is too much. Gotham has too many heroes. I’m not saying that DC should simplify it by not including some of them. Of course not. At this point, pretty much all of them have a long history and unique fanbases. But it is beyond time to stop adding new members. Certainly Robins, but maybe even in general, because at a certain point, it’s going to be all but impossible to give all these characters sufficiently nuanced personalities. They’ll end up more similar than different.

The Attitude That The Status Quo Is God

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DiDio also once claimed that Dick was redundant because he was never going to be Batman and wasn’t Robin anymore, arguing that once characters are allowed to age, they all become too similar – again, this is clearly ridiculous, but buried in there is something approximating a valid point.

Yes, it’s true that Dick’s not Robin anymore and will never go back – which is good, I have no idea why DiDio seems to think that’s a bad thing and have no desire to try to unpack that one. But it’s also obviously false that he’s never going to be Batman, because he has been. Repeatedly. The first time he donned the cowl was in 1994! And you know what? It’s completely untrue to say fans would never accept him as Batman on a more permanent basis, because we did. Dick as Batman after Final Crisis was widely loved to the point that readers lamented him going back to Nightwing. It’s completely false to say that any of this is because of the fans. No, this is because of writers that can’t move on – fanboys are running the asylum, and they don’t want to tell characters to grow.

Because of this fixation on the past, DC reboots its entire universe at the drop of a hat. They compress timescales, send loved characters off into limbo, erase relationships from existence, and force characters back into old roles rather than letting them move on. As long as they’re doing that, they have to stop adding new characters, because then it’s just getting ridiculous – there are so many vigilantes in Gotham, all serving approximately the same purpose, that it’s a wonder someone can even jaywalk without getting stopped!

Dick has been shoved back into Bruce’s shadow, because various people refuse to actually allow the student to surpass the teacher. The pre-Flashpoint Dick was the single most beloved hero in the DC Universe. He’d grown up and had his own life going on. He was extremely competent. He learned from both Batman and Superman. Everyone respected him. He was Bruce’s first son and his most trusted partner, an older brother to the other Robins. But now? The scale has been compressed so much because writers refuse to let Bruce be older than, like, thirty five. It’s resulted in Dick being presented more like Bruce’s younger brother than his son, and all of his accomplishments going unacknowledged. He’s gotten mentors that he stopped needing years ago, and stopped having relationships nearly as meaningful with his friends from outside Gotham. It’s nonsensical. And if that’s all that Robins have to look forward to – being unable to age or grow up or become heroes of their own – what’s the point in adding more?

Robin as a legacy once hugely important. It was good for Dick’s successors, because there was a precedent set they could both follow and stray from and a person from whom they could learn. It was good for Dick, because it demonstrated just how influential he was, proved irrefutably that he’d moved on, and let him complete the cycle as a mentor rather than a mentee. But that legacy, as much as I love it, has been used about as much as it can be. It’s time to let it rest, if not retire forever.

I made a post a while back about how Chris Claremont has never moved on from a certain plot point. In it, I noted that he wanted characters to get to grow and change, but that he was writing endings in a medium that doesn’t do endings. But you know what? Claremont’s approach seems largely the way to go, when we’re talking about DC and Robin. He’s very much not a fanboy running the asylum. He wouldn’t be afraid of letting characters grow up and change and move on, even as they maintained relationships with each other. In the hands of a writer like Claremont, given the freedom to make creative choices, I might not think it’s time to put down the Robin mantle. Unfortunately, that’s probably not happening.

I love Robin. I love the concept of Batman and Robin and the idea of the Batfamily. But unless DC completely changes its approach – and soon – I don’t see a way for the mantle to continue past Damian.