How The X-Men Movies Did A Disservice to Jean and Scott

Jean Grey and Scott Summers are one of the most iconic couples in all of Marvel. Marvel isn’t like DC in that superheroes and their love interests are inextricably linked – the characters tend to have a wider range of romantic partners, or they break up with their love interest much more often than in DC. Superman has Lois Lane. Batman has Catwoman. Even people that have never picked up a comic in their life know that – these are pop culture icons, a staple in not just comics, but movies and TV shows. The Marvel equivalent is Spider-Man and Mary Jane. Jean and Scott aren’t on that level of iconic, but they’re still one of the couples that a member of the general public will be able to name. I’ve talked before about how Jean and Scott individually got raw deals, but I think a lot of the reasons they were portrayed badly are tied together.

Jean didn’t have much of a character of her own in the original trilogy, as I pointed out in my other post. Most of her scenes were about how Logan was attracted to her. I heard an argument once that Scott was also a part of this – that Jean’s character had to do with him, that he and Logan were just having a pissing contest over her in the first movie – but I don’t think that’s true at all. In the first movie, Scott was perfectly polite and friendly until Logan manhandled him for no reason and started harassing Jean. And his active dislike for Logan didn’t start until, you know, Logan stabbed a student under his care in the chest. And in Last Stand, Scott was grieving, and he was doing that because he knew her. Not all grief is manpain. This was him having lost the woman he loved and not knowing how to deal with it. Jean was his fiancee, his partner, his friend, and the woman he had a psychic connection with. Logan’s so-called love for her couldn’t compete with that – he knew her for a week and came up with some idealized image in his head that had nothing to do with who she actually was. We can’t equate those relationships at all.

This portrayal of them – barely interacting, Jean as so passive with few real stances of her own after Logan showed up, Scott as a jealous child that was so dependent on her he literally couldn’t survive with her gone – was a disservice to them and the years they’ve known each other. They aren’t just random people that barely know each other that are dating because it’s convenient. They’ve known and loved each other for years. They were friends, partners, and X-Men.

The Last Stand partially adapted the Dark Phoenix Saga, and in doing that, failed to do the most famous Jean Scott story justice. It tried to do two things at once, and it didn’t end up doing justice to either of them. Neither was well developed, and either could have been a good movie on its own. It tried to make a story centred around the mutant cure, and it tried to make one about Jean becoming the Dark Phoenix. Because they tried both, Jean as Dark Phoenix was pretty much just her siding with Magneto instead of Xavier and having stronger powers. The tragedy that defines the Dark Phoenix arc wasn’t there for me, and the deep philosophical issues that should be involved with a story about the mutant cure were barely even touched upon. The Dark Phoenix arc revolves hugely around Jean and Scott and how much they love each other, but Scott was killed off rather than being the reason for Jean coming back to herself. They had all the parts necessary to make something amazing, but the movie we got was instead borderline incoherent.

It could have been a story about the mutant cure and all the mutant rights issues going along with that. That would have been great. It could have been about Scott having to deal with grief over losing Jean and still having to teach and lead the team and protect his people, while also confronting the fact that as much as he hates his powers at times, he won’t ever even consider taking the cure because he’s needed. The leader of the X-Men, and the general of all mutantkind, has to be a mutant. One of the flaws of the X-Men movies was that Scott, the leader of the X-Men, was mainly portrayed as Jean Grey’s jealous boyfriend who goes down first in every fight. He’s so much more than that. He loved Jean, and there is some canonical evidence of him having a hard time functioning outside a relationship, but she wasn’t the only thing in his life. Having a movie centred around him dealing with the mutant cure and civil rights would have established him as his own person, while also paving the way for a future movie about what Scott as the mutant revolutionary he’s been for years now.

It could have also been Dark Phoenix story, with Jean losing control of her powers and being brought back to herself because of love. The Dark Phoenix Saga is a beautiful tragedy about a woman trying to find her place in a world that hates her for what she is. She’s manipulated and hurt and still wants to protect the innocent – we saw that clearly with her stopping the Hellfire Club from attacking the newly manifested Kitty. It’s about love, and how much Jean loves her family, the world, Scott. It would have been an amazing exploration of who Jean is as a person. It would have focused on her. It would have been more of a straight action movie and character piece than the philosophical civil rights issues that would be raised by a cure story.

I think it would have best had they done both. I’d have wanted the cure storyline first, because it should have been Scott’s. It’s a concept that ties in beautifully to who Scott is and what he does. Scott’s character can be summed up as “guy that loses people he loves constantly and has to protect mutants from persecution regardless of any personal issues”. By all rights, The Last Stand should have been about Scott mourning Jean and having to keep fighting for mutants despite having lost her, and the franchise as a whole should have had more Scott. In the comics, Scott is always the important character when it comes to the existential threats mutants face. He’s the one that keeps them alive. Not Logan, not Xavier, not Mystique. And despite being what I consider a better, more complex character than any of those three, the original X-Men films cast him aside for them and play to the common misconception that he’s boring, while the alternate timeline changes his character to something completely different to make him conventionally interesting – and that’s an oxymoron if I ever heard one.

I love Jean. And I do love the concept of an awesome, powerful woman whose boyfriend/husband/whatever loves and adores and respects with all his heart. But I hate the idea of that being the extent of it, of there being nothing more to said woman’s partner than loving her and following her to the ends of the earth, just as much as I hate it when female characters are flat and exist to be a romantic interest. That’s not Scott at all. Killing Scott would absolutely be a valid story choice, but it has to be for a reason. He needs to be dying for a cause, or to protect someone else, or while doing what he does – not murdered by his fiancée after being so grief stricken after losing her that he couldn’t teach his classes or lead his team or focus on anything he had to do. He loves Jean, but he’s not just her boyfriend, just as she’s not just his girlfriend. Both the cure story and a properly done Dark Phoenix story would have showed that off beautifully.

Both these stories would have revolved around Jean and Scott loving each other, something we barely saw in the movies we got. And that’s a damn shame. These two characters comprise what’s arguably the single most iconic X-Men couple, and the conclusion to a film trilogy about the X-Men, an adaptation of a movie about them, portrayed their relationship badly for the third consecutive movie.

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5 X-Men Characters That Deserved Better

From the beginning, the X-Men movies have shunted aside most of their characters in order to keep the focus on just a select few of them. In the original trilogy, it was Wolverine. In the alternate timeline, it was Xavier, Magneto, and Mystique. That’s not to say it’s always bad – despite all my frustrations with the X-Men films, I’ve genuinely enjoyed most of them. I’ve had my complaints, but if I don’t think about it, they’re always good for at least one watch. However, there were a lot of characters that got cast aside that deserved to be a more prominent part of the films.

1. Jean

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Jean Grey deserved so much better than what she got in the original trilogy. She was a person. She was a fully grown woman with a life, a job, a family by the time of X-Men (2000). She was going before Congress and testifying on behalf of mutants. She was working at the school. She and Scott were engaged. She moonlighted as one of the X-Men. But somehow, she got reduced to Logan’s lust object that we were somehow supposed to believe he was in love with. In the comics, during the Dark Phoenix arc, Jean chose to kill herself over risking the lives of the people she loved. The Last Stand took away her agency, and made that Logan’s choice, not hers, and her death ended up being about him, not her – how much he supposedly loved her, how much guilt he had over killing her.

The fact that Logan didn’t know the first thing about Jean was made incredibly blatant in The Wolverine. His hallucination of her wasn’t her or anything like her, it was just his perception of her. Logan considered himself more important to Jean than he really was. Sure, she liked him, and thought he’d be a good ally in a time when the X-Men needed all the help they could get and as such, wasn’t going to do anything to alienate him, but she didn’t know him, either. Her telepathy might have meant she knew him better than he knew her, but they still only interacted for a week. They were barely even friends. She certainly didn’t love him. Yet so often, she was reduced to the hot chick that he liked. He’d decided he knew her when they’d first met, and the narrative decided to go with that, despite it making no sense.

In X2, Jean got to do things and be a real person. She interacted with Scott and Ororo. Her full potential was unlocked and in the end, she saved everyone else. She made her choice to sacrifice herself because she was the only one that could. She deserved to be that much of a fully realized character in all the movies – to be the woman that loves her students, her friends, and her fiancé, that is an enormously powerful mutant that’s fiercely dedicated to the cause of advancing mutant rights, that’s willing to give up her life to do what she thinks is right. That’s Jean. That’s a great character that I want more of. As Scott put it during the Dark Phoenix arc, she is love.

2. Scott

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Scott is the X-Men. I’ve talked about how much I love him before, and I’ll inevitably do it again. Similar to Jean being more than that woman Logan thinks is hot, Scott is more than just Jean’s boyfriend. I’m not sure exactly what it was that made the directors, producers, studio, whoever decide to shove him aside to centre the movies around Logan instead. Maybe it was that the work on these movies began at the height of the ‘90s Anti-Hero in comics, when everything was getting darker and edgier and Scott didn’t seem like he belonged in that. Whatever it was, Scott was barely an afterthought. Every single movie involving him also involved a string of bad decisions in regards to his character.

To be clear, I think a lot of Scott’s attitude towards Logan in the first movie was justifiable and in character – he was initially polite and friendly, only to get increasingly irritated by 1) Logan manhandling and patronizing him, 2) Logan harassing Jean, who wasn’t about to alienate a potential ally, and most importantly, 3) Logan stabbing Rogue, who by this point was a student under Scott’s care, through the chest. His behaviour in The Last Stand was also reasonable – as much as I disagree with that interpretation of Scott after losing Jean, his response to Logan condescendingly telling him to move on was completely fair. However, the lack of follow through in all the movies made him come across to a lot of people as a jealous boyfriend, not a man with very understandable reservations who’s something of a control freak that is uncomfortable with this stranger with anger issues and impulse control in his house and on his team.

In The Last Stand, rather than trying to help Scott with his grief at all – grief that everyone could see very clearly – everyone just went on with life without him. Logan talked to him, but Storm didn’t. Xavier not only didn’t talk to him, he essentially asked Storm to replace him because losing Jean had changed him – obviously he was a changed man, he was grieving. I can imagine that from comics Xavier, who was always a deeply manipulative person that used the people around him and spent years treating Scott poorly, but movie Xavier is a much nicer person. And yet he didn’t spend any time mourning his surrogate son after his death or caring about him at all besides in regards to his usefulness.

Arguably the worst offender, in terms of how Scott was handled, was Apocalypse. They took Scott Summers – straight-laced, law abiding, responsible, awkward, dorky, ultimate good guy Scott Summers – and on top of cutting out his entire comics backstory, they portrayed him as…not that. It seemed almost like they wanted to give themselves a shortcut for potentially a movie about him as the leader of mutantkind that he is in the comics without doing the real work to make it Scott. He may have gotten more screentime than the Scott in the original trilogy, but that Scott was at least recognizable as Scott.

In the comics, Scott becomes the leader of not only the X-Men, but of all mutants – he becomes their protector and general. He doesn’t do that because he’s a natural rebel that’s instincts are to fight and use force to achieve his goals. He does it because nothing else works, because he wants to protect his species. I’m willing to give Apocalypse Scott a chance to become that man, but I’m going to need him to become a genuinely responsible, good adult before he can push the boundaries to challenge the government and Xavier.

3. Storm

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Storm was always there in the original trilogy, but it mostly seemed like she was there because the creators thought it would be weird to exclude her. She had some good moments, but it seemed pretty clear that Bryan Singer didn’t know what to do with her at all. He didn’t have a clear vision for what he wanted out of Storm, whether that clear vision was her role as a minor character or a major one. Halle Berry made a weak attempt at an accent for part of one movie, then dropped it the rest of the time. She barely had any lines. In X-Men, it seemed as if she was there mainly to help fill out the roster so it felt more like a team movie than a solo plus allies one. In The Last Stand, while she got a bigger role, it was also because with Jean and Scott gone, someone had to take up the extra space.

X2 was my favourite of the original trilogy by far. Part of the reason for that was that it had a better balance of characters than the others, even if it was still heavily tilted in favour of Wolverine. The characters got to interact with each other – Storm and Jean went on a mission together. They had a few great moments together and with Kurt. The scene where Storm and Kurt were talking about humans and the persecutions mutants face was excellent. Berry’s delivery of the, “I gave up on pity a long time ago” line really showed off what she could have done with the role if she’d gotten more out of the directors or the script. Quite a few of her scenes in the first two movies were about her fear of humans – with Kurt in X2, with Senator Kelly in X-Men. That would have been a fascinating direction to take her character – this is a woman who in the comics, was revered as a goddess. She’s one of the X-Men, and she fights to protect people that hate and fear her – people that she fears, despite her powers. But it was never really expanded upon.

I don’t know much about comics Storm. I find a lot of her behaviour frustrating, mainly because of how in a lot of comics, she’s used as more an author mouthpiece to complain about Scott than anything else. She’s more than that, though, and even if she wasn’t, she’d still have the potential to be. The movies didn’t care to go into all the things she could be at all. I guess when it comes down to it, you know she deserved better because the entire time Halle Berry was in the role, the name Ororo was only mentioned once.

4. Rogue

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Rogue got completely cut out of Days of Future Past. In the rest of the movies she was in, she alternated between being an afterthought and being a pretty major character. Her treatment really bothered me in The Last Stand.

X-Men: The Animated Series also featured the mutant cure and Rogue’s temptation to take it, and in some ways, I think they handled it better. Both her taking the cure and not taking it would have been valid choices. But they should have been made for her. Logan said that she should make sure it was what she wanted and not something she was doing for some boy, but through some combination of the script and directorial choices, it came across to me as something she was doing because of Bobby. Because she was jealous of him spending time with Kitty and that Kitty could touch him.

Rogue’s issues with her powers aren’t just about some boy. They’re about fear. They’re about a girl that wants to live an ordinary life and wants to be able to get close to people. Rogue gets the same fear and ostracization that all mutants do, but unlike many of them, she doesn’t even get a cool power that she wants to use with it. She can take anyone’s power she likes, but she doesn’t want that, because she doesn’t want to hurt people. She’s isolated. That’s certainly tied to her inability to touch people, but it’s not just about that – it’s that she’s constantly alert and afraid and having to be careful to not accidentally come in contact with someone’s skin. That would have been a cool way to justify her wanting to get rid of her powers – she wants to be able to relax, to not be afraid, to not be hated or to hate herself. It’s tied into wanting to touch people, but it’s not just for the sake of touching them.

In X2, we got a glimpse of Rogue starting to be able to control her powers – she kissed Bobby and got some of his powers without hurting him. She grabbed John to control the fires he’d set, and there seemed to be no negative side effects. Had they continued to pursue that, we could have seen her struggling to control her powers but refusing to get rid of them because they’re a part of who she is now.

5. Kitty

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Kitty is an odd case, because in the comics, she’s somewhat of a creator’s pet. Her presence in the comics increased ridiculously because of how writers that grew up on comics loved her. That’s totally fine – it’s always good to see a wider range of characters – but it would have been nice for that to translate to the movies as well.

Three different actresses played her. Ellen Page eventually stuck around to be more than a cameo, but the repeated recasting suggests that they didn’t care about her being there and just wanted some recognizable students to fill out the school. Kitty was certainly that.

As much as I love Days of Future Past, I had a major issue with how it handled Kitty. I didn’t mind that DoFP revolved around Xavier. I thought it was extremely well done, and that McAvoy pulled off a fantastic performance. But Logan’s role? As the heart, as the one motivating Xavier to be better? That should have been Kitty.

They simplified the story a great deal from what it was in the comics, but doing that resulted in it not exactly making sense. Kitty, the girl who walks through walls, got some completely different power out of nowhere that had nothing to do with her actual power set so that Rachel Summers could be cut out of the story. I get that Rachel’s backstory needed to be cut, because Jean and Scott both died in The Last Stand and seeing as they didn’t have kids, it would have taken more time than they had to explain who she was, but the obvious solution would be to either use a new character with similar powers or to just not go into her backstory at all. Giving that part in the story to Kitty didn’t make any sense, especially when her role in the comics version was what they gave Logan.

Was it really necessary for Logan to be the hero again? I think DoFP would have been much more interesting with Kitty in her comics role. She’s a genius and can phase through solid objects – she’d probably be more useful than Logan, and she cares about Xavier, the school, and mutantkind just as much as he does. The ending, at the school, where Logan sees Scott and Jean back from the dead was a great ending. I loved it. But it’s one that I’d have found that much more emotional from the eyes of one of their students.


There are certainly other characters that got shafted – Warren and Jubilee come to mind, as does Piotr – I can’t even remember if Piotr got a line at all. Really, most characters that weren’t Logan, Raven, Charles, and Erik got kind of sidelined. That’s not necessarily bad – several of the movies were excellent anyway. But I think developing the other characters would have made the stories much richer. They had so much potential and were played by great actors, but instead, got used as props rather than driving the story themselves.

The Dark Phoenix Announcement

Fox announced their plans for X-Men: Dark Phoenix yesterday, and as excited as I want to be for another X-Men movie, one in which Wolverine will not be the focus, I can’t bring myself to really care.

I’ve talked before about how I have very mixed feelings about the X-Men movies, and I mentioned there how The Last Stand ruined the Dark Phoenix saga for me by missing the point. So shouldn’t I be excited for this? They have a chance to fix their mistakes and do it right! Wolverine won’t be in it, so it won’t become all about him again. But…I’m not. I can’t be. And there are a lot of reasons for that.

The release date being next year makes no sense to me. It’s almost impossible for them to meet it, and if they do, at what cost? It’d be ridiculously rushed, and I doubt it’d be good. It’ll be a cobbled together script and shot as quickly as possible, rather than allowing for time for improvements. It’ll be made because they said they’d do it and people will go see it regardless of whether or not it’s good.

Jean has been involved in a lot more stories than just the Dark Phoenix. I’d like adaptations to stop pretending like it’s the only thing that she’s ever done and that her only good story ended with her death. I want a story that actually explores Jean. This franchise already adapted the Dark Phoenix, and it wasn’t good. Why not make something else instead of trying it again? These characters have existed for half a century. It would be so easy to pick something else instead of adapting the same story again and again.

Some of my issues with the idea of this movie go deeper and are tied to my issues with the X-Men movie franchise as a whole. McAvoy Xavier and Fassbender Magneto are great to watch, but they’re getting to be almost as frustratingly everpresent to me as Jackman Wolverine was. I don’t even like Lawrence’s Mystique, but she’s coming back, too, and why should she or Magneto be in this film at all? The creators seem so afraid of trying something new, they refuse to venture away from the status quo, regardless of whether or not it’s good.

I would have been so excited to get this movie with Famke Janssen as Jean and James Marsden as Scott. Those two embodied their characters to me. They were such excellent, underrated casting, and in a movie without Wolverine, we could finally get more focus on their relationship, both as romantic partners and as teammates/friends. That would be the second chance at a storyline that was bungled the first time. Not this.

Marsden had the poise, the confidence, necessary to pull off Scott, the leader that forces himself to repress all doubt and insecurity. He had the charisma that would have been perfect for stories about him becoming the general of mutantkind like he does in the comics. And in general, he has the talent to carry a movie. He just never got enough screentime. Despite that, he still tried – his scenes in the beginning of The Last Stand were some of the most emotional in the movie for me. Can you imagine what it’d be like to see him deliver the iconic, Jean, you are love?

Janssen had all the necessary gravitas for Jean. She could do both the uncertain, scared, still coming into her powers Jean from most of X2 as well as the confident, bold, do-what-she-has-to-do Jean at the end. She could pull off the Phoenix. She got a little more material to work with than Marsden, if not much, and despite the script treating Jean mostly like an aside that existed because Logan thought she was hot, Janssen still put in the effort and made the character her own.

James Marsden as Cyclops, Famke Janssen as Jean Grey, Halle Berry as Storm – these were the X-Men I grew up with. All of them are excellent actors, and they’ll forever be the ones I picture when I think about Scott, Jean, and Ororo. It was fantastic casting. It seems way too soon to replace them. I’m not ready to let go just yet. I remember when I saw Days of Future Past for the first time, remember that excitement and delight at seeing them back. I thought that would mean we’d get more of them. That we’d actually get them back. But no. Just a cameo that was their last appearance in the franchise. It’s so frustrating. Hugh Jackman got Logan as his swan song. He got an entire movie and a dramatic death. The other three? Just a brief cameo that brought them all the way back to the status quo of the first movie. Nothing real. Nothing conclusive. Logan could have been a great final adventure for all of them,  but they were unceremoniously killed offscreen.

DoFP brought back the X-Men and the school and stopped the Sentinels from ravaging the world. It  was beautiful and felt amazing to see. I legitimately loved the movie. But what happened at the end? Logan went right back to obsessing over Jean, despite her having been gone for years. I’d love to regard that as just him being amazed that it actually worked and that she was back and everything was okay, except he didn’t have that strong of a reaction to seeing Scott, who’d been dead for just as long. No look cast over to Ororo, despite the kiss in that deleted scene. It’s as if the creators think that undoing a bad decision is good enough, rather than having the characters learn or grow or change as a result of them.

I know I shouldn’t cling this much to the original cast. I don’t want to be like the Christopher Reeve fans who are unwilling to give any other version of Superman a chance.  But this feels different to me, because it’s new actors in the same franchise. It’s not a reboot, it’s just an altered timeline. It’s not just the new actors playing the younger version of the characters, it’s them replacing the originals. It’s barely been ten years since the last movie with all of the original cast. It feels too soon. And since they didn’t all leave together – Hugh Jackman got more solos, as well as a cameo in Apocalypse, and Patrick Stewart was in Logan – it doesn’t even feel right for them to be gone. Their stories feel unfinished. A Dark Phoenix movie with the new actors? It’s going to force me to accept that that era is over. I can do that, it just sucks to have to without proper closure.

Nothing against Sophie Turner and Tye Sheridan, but the two of them seem too young to me for this story. They’re in that age where they’re technically adults, but they don’t really look it. It’s the awkward, haven’t quite grown into themselves look of people that are college age or a little bit older, like recent grads. They could probably be good in the roles – they weren’t bad in Apocalypse – but the Jean and Scott in the Dark Phoenix saga should be adults, not kids. It reminds me a little of Brandon Routh back when he played Superman – a good actor, even a good choice for the role, but still too young for the version he was given.

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Turner doesn’t look like an adult yet. She doesn’t have Janssen’s experience, or her ability to embody the character and completely take over a scene. It still seems to me that she got cast for her name and fanbase, rather than for being a good fit for the role. I’m not saying she’s a bad actress or that she can’t pull it off, but I still barely see her as Jean. I can’t imagine her as the Phoenix.

The original trilogy meant a lot to me. X-Men (2000) pretty much invented the modern superhero movie. It was flawed, it was a little clunky and awkward, and some of it just didn’t make sense, but as a groundbreaking movie for the genre and through nostalgia, it still holds up. It was a pretty solid character intro. X2, First Class, DoFP, even Logan – those are still good movies as well. But I think the majority of the X-Men franchise has been an attempt to make a badass epic movie, an action adventure, rather than making something legitimately good. The timeline for this movie feels like it’s just going to be more of the same – just marking time, pushing out another movie that doesn’t have any reason to exist.

I don’t agree with people complaining about superhero fatigue. I love superhero movies. I love comicbooks and seeing them brought to life. But when I hear about movies like this one, I start to understand. I’m not sick of superheroes. But I am tired of studios making movies that fit the same mold again and again and never venturing into anything different. I’ve been torn about the X-Men movies for a long time, and as much as I don’t want it to be true, I think this one will be the one that pushes me over the edge into not enjoying them anymore.

Adaptations, Source Material, and Viewer Satisfaction: My Complicated Feelings About the X-Men Movies

The X-Men movie franchise has existed for most of my life. I’ve grown up watching these movies, I have a lot of appreciation for them and looking back on them very fondly, and I think it’s important that we credit them for reviving comic book movies and allowing them to be big budget successes. And yet, when I think about them critically and objectively, I find it very hard to give a simple answer to the question, “Are the X-Men movies any good?”

Part of that, of course, goes back to the fact that they’re adaptations of comic books. The X-Men have existed for decades. There are a lot of different versions of the characters, and everyone has a different way of interpreting them. It’s impossible to please everyone. But in addition to that, there were a lot of other issues that made them a poor and unsatisfactory adaptation, at least to me. Some of the dialogue, in the original trilogy especially, is stilted. The costume design was boring. A lot of parts felt forced. There were a lot of plotholes.

What I’ve always found the most important part of the X-Men is that they’re a team. They’re a close knit family, bound together, and determined to protect both their kind and a world that hates and fears them. The movies rejected that notion. Instead of showing them as a team, they focused on Wolverine, Professor X, and Magneto and sacrificed everyone else in the process.

hated having to watch everyone else’s important storylines just given to Logan. He essentially took Scott’s place as the main hero and romantic lead during the Dark Phoenix arc when Scott was unceremoniously killed off by Jean in the first half hour of the movie. He took Kitty’s place in Days of Future Past, resulting in Kitty getting a new power that made absolutely no sense and pretty much just sitting still for the entire movie. Logan may not have been the main character of Days of Future Past – that distinction goes to Charles – but he was the heart and the character whose perspective the story was told from. It apparently wasn’t enough that Logan got three solo movies while no one else even got one – he had to get all of everyone’s storylines as well. The X-Men movies weren’t about the X-Men, they were just Wolverine and Friends.

I appreciate the changes made to Xavier’s character. The movies made him more of a hero. In the comics, he was deeply manipulative, essentially a trainer for child soldiers, and did very little to actually further the mutant cause while still being hailed as the best of them. Here, he’s legitimately heroic. I love manipulative characters that are willing to use other people as pawns to achieve their goals, but the narrative has to point that out, not gloss over it to pretend those characters are perfect heroes. Would it have been cool to see comics Xavier, with attention being drawn to his myriad of character flaws? Sure. But I’m totally fine with the version of the character that’s far less flawed and is doing the best he can to create a better world.

A lot of the performances were fabulous. Patrick Stewart, Ian McKellan – they managed to demonstrate to the audience that their characters had a long history and a complicated relationship without ever needing flashbacks or a lot of expository dialogue. For all my issues with Logan’s character, I’ll still admit that Hugh Jackman is a great actor. But a lot of the actors were also wasted – James Marsden and Famke Janssen come to mind.

My favourite X-Man has always been Scott. I’ve talked about that before. The adult version of the character has never really had a solo title, but he’s been absolutely crucial to the X-Men as a team – he’s essentially the main character of the entire X-Men mythos. More than Xavier. More than Magneto. That’s how important he is. But if your X-Men knowledge comes from the films and not the comics, you end up seeing Logan as the main character, Logan as the hero and team leader, not Scott, because in the movies, he doesn’t get to do anything. He’s an adaptational wimp that never gets to be a leader or use his brilliant tactical skills and ability to beat people up with his eyes closed. He never gets to be seen as the important pillar of the school, the teacher. There’s less focus on his relationship with his love interest than there is on Logan’s relationship with her. He doesn’t even get to grieve for his fiancée’s death. James Marsden was an excellent casting choice, but he was cast to the side.

Famke Janssen is a superb actress that completely owned her role, but she got very little to work with. The Dark Phoenix saga from the comics is highly acclaimed. It was a beautifully done story, and it was about Jean loving the world, her family, Scott. It was about her choosing death over hurting them. But The Last Stand took away her choices and her agency. It didn’t pay any attention to Jean and who she was, just what she was to Logan.

Somehow, the films made the Jean Logan relationship, something I hate in the comics, an even worse concept. The directors, writers, whoever – they tried to make the audience take Logan’s creepy obsession with Jean seriously, make us view it as a tragic, romantic love story, but he knew her for a week. He knew nothing about her as a person. He thought she was hot and had an image of what she was like and decided he was somehow in love with her, but he didn’t know her. She was engaged to Scott the whole time, and the two of them were in a long term, happy relationship! Logan’s behaviour was borderline harassment at best that we were supposed to believe was love.

I’ve seen most people agree that The Last Stand wasn’t a good movie, that the first two were much better. I think it could have been great, and that in fact, a lot of the action sequences were well done, but a lot of the rest of it fell flat. X-Men United was really good, and I wanted the follow-up movie to deal with the events that happened. The story I wanted was one of grief and pushing through it. I wanted Scott missing Jean, who was his best friend and teammate in addition to being his girlfriend, but working through his grief because his team and the school still needed him. Instead, his adoptive father asked someone else to take over the school instead of bothering to talk to him about his loss and how to start moving on; he got killed off half an hour into the movie; and no one really even mourned his death.

The filmmakers tried to cram too much into the movie and didn’t do justice to any of it. The concept and morality of a cure would have been a great story to go into. The repulsiveness of the idea of suggesting that a natural part of a segment of the population is a disease to be cured and that something is wrong with that segment of the population. The reminder that it’s a complex issue and that some mutants might want to take it. The weaponization of the cure and forcible administration. I would have loved to see Scott returning from wallowing in his grief to his calm, rational, strategic self to try to deal with this. It could have been the start of a real friendship and trust being forged with Logan. It could have been a solid story that was a great character study as well as an action movie. But they killed Scott and also crammed in the Dark Phoenix arc.

The Dark Phoenix as well could have been a great movie. I’ve heard they’re going to make another one about it, but I can’t be very excited for that, because a) Jean has been involved in far more stories than just the Dark Phoenix and deserves so much better and b) it’ll probably be with Sophie Turner and not Janssen, which disappoints me for a lot of reasons that I won’t go into now. But it, as it was portrayed in The Last Stand, wasn’t really a Dark Phoenix story. It wasn’t about Jean. It was pretty much about her choosing to follow Erik instead of Charles and giving Logan something to angst over. It could have been spectacular. But it wasn’t. The entire movie just left me cold and disappointed.

When we look at the second trilogy, the alternate timeline one, my conflicting feelings deepen. Because First Class was a story about Erik and Days of Future Past was a story about Charles, and I thought both were very interesting movies with a lot of heart. But as an X-Men fan, it felt like a slap in the face for a movie to be called First Class and not include the original X-Men. Scott, Jean, Bobby, Warren – none of them was anywhere in sight. Hank was there, sure, but the rest of those characters? Nowhere. They even decided to stick Scott’s traditionally younger brother on the team in Scott’s place. Very few of those new characters were well developed. They killed off Darwin, their only black character, despite the fact that that makes no sense with his power and that his power would have made much more sense as the lynch pin of the next movie than Raven’s.

Days of Future Past was probably my favourite movie on the franchise as a whole, and that’s only partially because of how it completely undid The Last Stand and brought Scott and Jean back to life. As a movie, I think it was the best one by quite a large margin. It wasn’t necessarily a great adaptation, but it was an exceptional movie. It was a movie about found families and fighting through hard times. It was a movie about doing the right thing. It demonstrated the Erik-Charles dynamic beautifully, showing that they both have very different perspectives that stem from their personal experiences and that are both understandable. It showed how necessary and important the school is. And above all, it ended well. It ended happily and it gave them all a second chance. There were a few plot holes and continuity issues, but on the whole, I can’t really complain about Days of Future Past.

Apocalypse was much more divisive than either First Class or Days of Future Past, but while I had my issues with it, issues that were deeper than mine with Future Past, there were actually a lot of things that I appreciated a lot. The most important of them was that Logan showed up for a couple minutes, then left, and that was it. He didn’t hog the spotlight in this one. We got teenage Scott and Jean and Kurt, which was lovely – finally, some other characters got some screen time – but deeply flawed, as the interpretation of Scott was so different from the classic version of him, he felt like a totally different character that just happened to have the same name. It didn’t really focus on a specific character, so it felt more like an X-Men ensemble movie at long last, even if a lot of the characters were underused and Mystique got more screentime than she probably should have.

But even beyond too much focus on a few characters, and a lack of care being put into the details, and my frustration with them as adaptations, my main problem with the movies is how exhausting they are. There hasn’t been a real happy ending since the very first one. When you’re telling a story about a persecuted minority, of course you need to go into the struggles the people belonging to said minority face. But having all of mutantkind wiped out twice, and not facing the societal and political challenges instead of the dramatics since 2006?

I don’t have a problem with emotional weight and bittersweet endings. It’s why I love the DCEU – the movies might be too heavy for me to watch all the time, but that doesn’t mean it’s not good. It just means that sometimes when I’m exhausted and need something light to cheer me up, I’m going to turn on Legally Blonde instead.

So much of the franchise is excellent and enjoyable and generally well done, but there are still so many flaws that are more and more noticeable with every rewatch, it gets very frustrating and exhausting.

All of my issues with the franchise culminated with Logan. While I enjoyed watching it, after I was done, I was so tired. I was sick of Logan as a character. I was sick of never getting to see other mutants or the X-Men as a team. I was sick of the characters never getting a lasting victory or moving forward in a meaningful way.

Logan was the end of an era. It was the last movie with Hugh Jackman playing Wolverine. It was the last movie with Patrick Stewart playing Professor X. By extension, it’s very probably the last movie with any of the original actors. I’d be delighted to be wrong about that, but I very much doubt we’ll ever again see Marsden Scott, Janssen Jean, or Berry Ororo. Logan was the end of that era, and I think that while the movie may stand well on its own, isolated from the rest of the franchise, it was a weak, unsatisfactory ending.

Scott Summers: Best Character Marvel Has Ever Produced

When it comes to superheroes, I’m mainly a DC fan. That being said, I love the X-Men. And I love their leader, Cyclops, the most. Which is what makes it so frustrating that he’s made the designated villain again and again, when he just does what’s right, what’s necessary to ensure the survival of mutantkind.

People claim he became a criminal, a terrorist, an extremist, a general, but he’s not any of those things. In most of the ways that matter, he continued to follow Xavier’s dream more than anyone else. Protect those that hate and fear them. It’s an iconic line about what it means to be an X-Man. And Scott does just that. He trains his students to use their powers and to fight, because that’s what they need to do to survive – it’s what the X-Men have always been about. That doesn’t mean he’s leading an army. It just means he’s not going to sit back and let people kill them.

The most ridiculous thing to me was Death of X. Marvel spent a year leading up to it, a year of trying to make people wonder, what did he do?! And what did he do, to merit being called a criminal and a mass murderer and equated to Hitler? To supposedly be the reason that no one trusted the X-Men or wanted their help anymore?

He…stopped the Terrigen cloud from being dangerous to mutants. Wait, what? That’s it? Yeah. And the Inhumans killed him for that. And then none of that even happened because it turned out Emma did all of that, but the world thinks Scott did.

So let’s say he did. He stopped his people from being gassed to death. What the hell, Marvel. He did that, and you’re calling him Hitler? Yeah, that’s literally the opposite. It’s especially bad because they acknowledge it – they have Magneto, a Jewish character, say that his people will not be gassed to death.

I love the X-Men with all my heart, but they’ve always been a somewhat problematic, flawed allegory for prejudice. And that’s partially because for most of their history, even as some of the non-Xavier aligned characters were portrayed in a somewhat sympathetic light, it was Xavier that was always depicted as the ultimate good guy, despite the fact that his message was in a lot of ways a, “don’t rock the boat, be patient, be nice to your oppressors, not all humans” thing. And that was kind of okay before Scott started stepping up to lead mutantkind, because the opposing view was Magneto, who went beyond fighting to protect mutants and into the land of mass murder of everyone that opposed him. But that’s not what Scott did, and he was treated as a supervillain.

The second Scott started actually making steps to achieving Xavier’s dream, beyond just words, by fighting for what was right, by fighting back instead of trying to demonstrate that mutants aren’t dangerous by letting humans hurt and kill them, people accused him of being a villain and straying from Xavier’s dream

The Avengers have a history of treating the X-Men and mutants in general terribly. They never help the mutants when they need help; they never take responsibility for their own actions while at the same time insisting that Scott needs to be brought to justice; they create most of their problems themselves while the X-Men have to clean up after everyone, not just themselves. One of my favourite panels was when Scott told Captain America to go to hell. It was ridiculously satisfying to see that hypocrisy finally called out.

I hate it when fans call Scott boring, because I don’t see that at all. He’s deeply disciplined. He’s responsible and principled. He’s filled with self doubt, and as Emma said, he hates himself so much he doesn’t understand why anyone else wouldn’t. He’s far from perfect – he can be ruthless and manipulative, but he’s also a decent guy that’s trying really hard to do the right thing when there are no right options. He’s a more nuanced character than anyone else in the Marvel universe.

I like Wolverine, but when it comes down to it, Wolverine is not now nor will he ever be the X-Men. That’s Scott. He’s their face and their spirit and he has fought for them for so long. It’s time he got some more credit for that.