Batfamily Dynamics In ‘Titans’

So you know how I love the Batfamily? Well, I do. And that’s another reason watching Titans makes me geek out like an idiot. It’s so centred on Dick and his growth that we get a lot of insight into how his family affected him. It gives us a unique and compelling take on Dick’s relationships with both Bruce and Jason, without having them as his entire story, and it’s fascinating to watch.

I loved getting to see Dick interact with Jason. But I haven’t seen anyone discussing the one thing that kind of weirded the comics fan in me out – the ages and the impact they have on the inter-Batfam relationships. Jason is the only character whose age we canonically know, because it was actually brought up in the show. Sure, people involved with the show have given us some numbers – or at least, vague ideas – for the others, but remember, Writers Cannot Do Math. So until everyone else’s age is solidified within the show, the only thing I’m willing to assume is Jason’s. Unless he was lying for some reason I don’t understand, Jason is explicitly nineteen. He’s also explicitly been with Bruce for about a year, so pretty much immediately after Dick left. Presumably, him going out as Robin has been recent, both because Robin hadn’t been seen in over a year as per the beginning of the pilot and because he needed time to learn the necessary skills. That confuses me, because it means Jason has been a legal adult for the entirety of his relationship with Bruce. He’s not an adopted son anymore. He’s not a child soldier. He’s young, brash, stupid, but he’s not exactly the kid that sees it as a game – he loves it, thinks it’s fun, but he also is okay with the idea that he’s drawing fire. It changes the relationship between all of them.

I’ve always thought that the age of becoming Robin was most essential to Dick, and less so for everyone else. This is because Dick’s story was about loss and pain. It’s a clear parallel to Bruce’s – they lost their parents at about the same age. They started fighting crime to deal with it. By the time Dick became Nightwing, he’d been Robin for pretty much half his life, and he’d set aside the role in a way Bruce never would have been able to, had their positions been switched. In the show, he’s been Robin for even longer. So it makes perfect sense that in the show, he is having a hard time letting go! With everyone else, except perhaps Damian, it seemed like their age was much less important. But now, I’m wondering if I was wrong. It may not matter whether Jason is eleven, thirteen, sixteen. But I think it does kind of matter that he’s a minor.

One of the recurring points in the comics is that Jason kind of saw being Robin as a game. He wasn’t as emotionally invested as Dick, who had a personal reason for putting on the mask. He was a kid that was kind of in over his head. Aging him up changes the tragedy, because now he knows what he’s going into. He’s not just a kid having fun and loving the attention anymore, he’s an adult more capable of making his own choices. So for me, his anger at Bruce upon his resurrection won’t ring as true anymore. Likely, Bruce’s guilt won’t, either. It seems likely that, if Death In The Family is ever adapted in this show – which I doubt, honestly – they’ll have to take his becoming Red Hood in a very different way. With the implication that Dick telling him he should cut out the tracker in his arm will lead to him doing just that, leaving Bruce unable to find him, I wonder if adapting that arc would focus more on Dick’s guilt than Bruce’s.

That leads me to Jason and Dick’s relationship. I find that very interesting, thanks to the age gap. DC often tries to convince us that they’re very close in age, rather than Jason being closer to Tim’s than Dick’s. I seem to recall Rebirth insisting that they’re only a year or two apart. This is despite the fact that I’m pretty sure when Jason was introduced, he was eleven and Dick was eighteen. But Titans is actually acknowledging that Dick is significantly older. More than that – because both of them have been aged up, it’s easier to see how much they’re in different stages of their lives. That made it fascinating to watch, because Dick was clearly trying not to take out his anger at Bruce on Jason, and only partially succeeding.

Throughout the scenes when they were discussing the Robin moniker, I was unsure whether it was clever or an oversight due to DC’s long history of ignoring how personal Robin is to Dick. When I look at it from my own perspective – that of a fan that knows the history of Robin – I think the former. And since it’s on a DC streaming service, viewership is mostly limited to DC fans with a solid knowledge of the comics history. So from that perspective, it makes a beautiful amount of sense to not bring up what Robin really means to Dick – his family’s colours. His mother’s nickname for him. Dick has spent a long time closed off from other people. He’s not going to just spill his life’s story to the random kid that came barging into his life wearing his costume and calling himself by his name. It’s more than enough that the audience knows why he’s questioning why Jason didn’t make his own identity, why he’s upset that his father figure handed over his name and costume to someone else the second he left, why he’s having such a hard time letting go of Robin and carrying the suit with him across the country. But. That doesn’t work as elegantly for viewers  that aren’t comic fans.

The episode didn’t delve into the origins of Robin, why Dick has so much difficulty letting go, why he has every damn right to take his suit all around the country and be annoyed at the kid that acts like he knows what Robin represents without knowing any of the history behind it. So for viewers that don’t know and love Dick Grayson, it must come across very differently. Jason’s speech must seem like a genuine armour piercing speech, cutting to the heart of Dick’s issues. And to an extent, that is the case. Dick doesn’t really know who he is, doesn’t know what he wants or needs. But it isn’t like he’s a kid that’s outgrown his favourite sweater but doesn’t want his little brother to get to have it. This isn’t about him refusing to move on. It’s about him being unable tobecause he’s afraid of what letting go will mean.

Titans is shockingly subtle for a superhero TV show. It’s utterly character driven. I’m not used to this kind of storytelling when it comes to superhero media. It’s slow. It’s indirect. It waves forward than rolls back. It has characters go through similar storylines for very different purposes. If 1×06 was about Dick’s relationship with Bruce, 1×07 was the obvious follow through – his relationship with himself. His self loathing and anger and confrontation of the fact that it’s not really Bruce he’s mad at – he’s mad at himself. 1×06 ended with Dick acknowledging that Bruce did the best he could. 1×07 focused on Dick hitting rock bottom, because if he’s done blaming Bruce, it’s time to look inwards at himself. It’s nuanced. It’s hard to watch. It’s awesome.

It seems most people weren’t expecting anything this subtle, and as such, aren’t taking the time to interpret it as they would non superhero stories. You can see that both through the complaints that 1×07 was the same thing as 1×06 and through the complaints about Donna “badmouthing” Bruce in 1×08 when she contrasted Batman and Wonder Woman by saying Batman was created to punish the guilty, rather than protect the innocent. I saw a lot of people mad about that, saying that it’s missing the point of Batman and all that, but I don’t think that’s true at all – it’s been made very clear throughout the show that this perspective on Bruce is only part of who Bruce really is, and it’s coloured by bitterness and anger. Donna’s quote was even more like that than Dick’s own thoughts on Bruce, because Donna’s attached to Dick. She loves him and cares about him and saw how much all of it was affecting him.

That doesn’t mean that Dick doesn’t still care for Bruce! It doesn’t mean Bruce is the “bad guy”. It means that Bruce and Dick are flawed people with a flawed relationship. It means that vigilantism as a lifestyle is ridiculously unhealthy. It does a disservice to the quality of the writing to simplify it down to “they’re painting Bruce as a villain”. Dick went from refusing to talk about Bruce to casually referring to him as his dad to a stranger. And yeah, sure, that was probably at least in part because it was the easiest way to get the point across without delving into their whole relationship to a random person – the guy was already weirded out by Dick reminiscing about when Donna got her first camera before even introducing himself, how much more weirded out would he be if Dick started going on about his foster father that took him in after his parents fell to their deaths in a trapeze accident? But it was also about Dick coming to terms with himself and his relationship with the man that raised him. It was him remembering that his childhood had good times as well as bad.

Kory joked about Jason being younger, healthier, and smarter than Dick. As comic fans, we know only one of those things is true. But it made me consider what I know about this version of Dick – not comics knowledge, not cartoon knowledge, just what has been revealed in the show. And that’s kind of awesome to think about, because Dick hasn’t done any real acrobatics yet. For all that a segment of the viewership complains about it being the Dick Grayson show, we don’t really know all that much about his past, either. He hasn’t gotten a chance to show off many of his skills. That’s because the focus has been on who he is, not what he can do or how he learned it or the details of how he became who he is. And it works.

I’m obviously biased, due to my love for him, but even if I weren’t, I think it would still be pretty clear to me that Robin is one of the main characters of all those to have ever been part of the Titans. Almost certainly the most popular. Dick was the only member of the original roster that was included in the main cast of the cartoon and the main cast of this show. He leads the team. He’s had a successful solo series. He’s the poster boy for how Sidekick Graduations Stick. So, yes. It doesn’t bother me at all that the show is called Titans, while really being about Dick. It probably would if any other members of the Batfamily – except Tim, but that won’t happen for a while, if at all – end up as main characters, because that would be making it not a Titans show. Focusing on Dick? That’s just picking a main character.

Dick’s arc has moved beyond his issues with Bruce and into the territory of his issues with himself. So we don’t need a confrontation to conclude the character arc he’s going through – which is good, because introducing Batman will no doubt pull focus from the team that the show centres on, even though we know full well he exists without him showing up. However, because Bruce has been a spectre hanging over Dick since the first episode, we at least need something. It’s not going to be enough for Dick to be like, “hey, I worked stuff out with Bruce, we’re cool now”. For better or for worse, whether the resolution is us hearing the beginnings of a phone call or a season ending with him knocking on the door of Wayne Manor, we have to get something, and it has to have some amount of dramatic weight. The build up has been subtle. But the conclusion needs to be more.

Titans leaves me both wanting more of the Batfam and knowing there are few ways in which that could actually work. I don’t think Jason can carry a show. I know making any other members of the family recurring characters will pull too much focus away from what the show is supposed to be about. And being one of the Titans, rather than in a Batfam show where he’d always be second fiddle to Bruce, is better for Dick as a character. All this together means that I’m holding my breath, waiting to see how the writers handle the issue in the end of season one/beginning of season two, because they’ve built it up so beautifully, it’ll be downright tragic if the conclusion doesn’t measure up.

Advertisements

‘Titans’: Character Growth And Respect For Dick Grayson

Now that we’re most of the way through the first season of Titans, I finally feel ready to comment: I genuinely love it.

I was very much surprised to find that that’s the case, between that first trailer, the story details, and the weird age lifts. Though maybe I shouldn’t have been – Geoff Johns is heavily involved, and I have my issues with him and his approach, but he is the man that flat out refused to write Nightwing’s death in Infinite Crisis. He has a healthy amount of appreciation for Dick as a character. I should have had more confidence that my favourite character was going to be treated well. He has been. And that’s good, because even though the show is called Titans and it’s Rachel that drives the plot, at heart, this is a show about Dick Grayson – and specifically as Dick Grayson, not Robin or Nightwing. It’s about him figuring out who he is and what he wants. It’s a character driven story. The plot matters, the villains matter, but it’s primarily about Dick and his internal conflict, his familial relationship with Rachel, how his figurative demons parallel her literal ones.

Fans of the Titans team may or may not love it. And I’ve seen a number of comments from people that are frustrated by the backseat the others – particularly Gar – have taken in favour of Dick and guest stars. But as someone whose primary investment in DC has always been Dick…it’s kind of perfect for me. After all the mixed feelings and confusion about how it was going to turn out, I’m really glad I watched it. I was terrified of this show for the same reason that I was terrified when the Nightwing movie was announced – he’s a hard character to get right. But much to my shock, Titans gets it. What it does spectacularly is capture the almost paradoxical nature of Dick Grayson.

When I first saw the story details, I anticipated it flattening his character by focusing on the anger that was a huge part of his character in the 80s. And that’s certainly part of him. But it’s also not even close to everything, because even though he is angry, even though he’s obsessive and paranoid, he’s also funny and charming and likeable. In a lot of ways, he’s a more complex character than even Batman, because with Batman, there are a ton of equally valid interpretations. You could focus on his obsessiveness driving everyone that loves him away. You could focus on his refusal to stay down. And any one of those will help you understand a solid chunk of who Bruce Wayne is. That works, because those are all different sides of the same type of trait. That’s not the case with Dick, because with him, you kind of need a solid grasp of all those elements of his character, because his traits are so different from each other while all equally important. Titans is doing a genuinely impressive job presenting all those traits in a way that makes sense.

The characterization doesn’t feel flat at all. Dick does have that anger, that need to move out of Bruce’s shadow, but he’s also got his comics counterpart’s charm and decency – it’s most obvious with the motel owner in “Together”, who he turns down politely and tactfully when she’s hitting on him, but we also see it with Amy, who warms up to him after a thirty second conversation despite how much he tried to keep to himself before, and Kory, when their arguing softens into friendly and flirty bickering. Through his relationship with Rachel, we see the comfortably steady and reliable figure he’s becoming, the one that in the comics-verse is so important to guiding Damian. We see his intensity through his interactions with everyone. And through all of it, we see the seeds being planted for him facing his past, reconciling with Bruce, becoming more comfortable with who he is, letting go of Robin and becoming Nightwing.

Personally, I prefer it when Dick leaves because he’s grown up and it’s time for him to live his own life, not because of any major fight with Bruce or being fired or anything like that. He grew up in a circus – he was born to be the star, not play second fiddle to Batman. Bruce said as much himself. But there still is a lot of merit to the way Titans is showing it. Them not being on speaking terms opens up a lot of areas for character development. Also, it gives Dick more room to breathe and become his own hero on his own without his mentor overtaking his story. Otherwise, there would be very little explanation for why Bruce doesn’t have more presence in the show. Beyond that, in the context of Titans, it just makes sense.

Dick and Bruce are more similar than different. It’s been noted on multiple occasions that Dick is basically Batman with social skills. As such, they’re bound to clash, especially because what Bruce wants more than anything is for Dick to be better than him. As he put it in Young Justice, when Diana asked if he’d introduced Dick to crime fighting so that he’d grow up like him: “No. So he wouldn’t.” That conflict runs deep within the show, and it’s fascinating to watch.

A large part of why comics!Dick stopped working with Batman in the comics was because of his issues with identity. He was spreading himself too thin. He didn’t know how to balance his desire to see the best in people with his learned cynicism, or how best to help people. That identity issue is at the heart of his character arc in Titans. He’s fought crime in a city so terrible, Amy’s reaction to finding out where he was from was Jesus since he was a child. That didn’t leave him much time to figure himself out. And now that he’s not on his own anymore – now that he has Rachel to protect, Kory constantly prodding at him to get him to open up – he has to figure that out and come to terms with the mistakes he’s made.

“Jason Todd” was the a major part of that character growth. It was also a clear step in the road to Nightwing. It was a fascinating episode for me, because it forced Dick to confront his past – his vicious, brutal past. Don’t get me wrong. I love the traditional, goes after Zucco but doesn’t kill him bit. But you know what? It makes a painful amount of sense that he would. It’s also very easy to connect to different pieces of DC media. For one, it reminds me a bit of Batman v Superman – as we did with Bruce there, here we see Dick making decisions that are hard to watch, that we don’t want to look at, that aren’t heroic…but that we know will lead to him growing, being better, doing better. The idea of him killing once than being horrified at what he’d become reminded me of Bruce’s arc in Gotham. It also reminded me of Batman Begins – not for what it was, but what it wasn’t. In Batman Begins, we see Bruce trying to justify leaving Ra’s to die, saying something like, “oh, not saving you isn’t the same thing as killing you”. Titans makes no such pretense. Dick acknowledges that he killed Zucco. He talks about it. It’s a whole episode of him dealing with the fact it’s time for him to stop living in the past, stop living in anger and regret, because the cycle of vengeance won’t make the world a better place. And as he does so, he comes to understand that his memory is flawed, because it’s been coloured by rage and grief, and it’s time for him to move on and forge a new identity. As Jason put it, he doesn’t know who he is. The episode culminates with him acknowledging that Bruce tried his best. It’s absolutely gorgeous character development.

Not all of the show is as well done as Dick’s arc has been so far. Some of it has been kind of sloppy.  Take the Beast Boy appearance at the end of the pilot – it wasn’t much of anything, it didn’t need to be there, it was just a minute or two of, hey, there’s Gar, he’s in this, remember? Similarly, I wasn’t big on Kory’s scenes before she met up with Rachel. I mean, I liked watching her…but only because Anna Diop has enough presence and charisma to keep me from rolling my eyes and getting annoyed with how her amnesia plot was a dumb thing to pull focus from Rachel and Dick for. And when the season is only eleven episodes, it’s kind of frustrating to have the team keep splitting up. Outside of Dick – and his relationship to Rachel, because that’s just awesome – it’s a pretty mixed bag. However, the way Dick has been handled? The progression has been so damn good, he alone will make me want to watch season two.

For a popular character, Dick doesn’t get all that much respect. I’ve written about that before. We see it with how his movie seems in permanent limbo. We see it in the comics, where he’s wandering around with amnesia and calling himself Ric. We saw it when his 75th anniversary was kind of hijacked by Harper Row, when DC kept trying to kill him, when we get increasingly ridiculous reasons why he hasn’t actually surpassed Bruce and still needs a mentor. It’s been going on a long time. But this show isn’t falling into that trap. He doesn’t need a mentor. He doesn’t need to work under Bruce. He’s Dick Grayson, and that’s fucking awesome all on its own.

The Robin Issue

Dan DiDio famously hates Dick Grayson.

DiDio is the DC equivalent of Joe Quesada – not just in terms of their position, but in terms of their attitudes towards superheroes. He hates endings, he hates characters getting to grow, and he thinks happy endings are boring. It’s been a long running joke in fandom that Nightwing’s greatest nemesis isn’t Deathstroke or Blockbuster, it’s DiDio. And a while back, he made a comment about precisely why he hates Dick that I found interesting – and by interesting, I mean frustratingly ridiculous. And that comment was that he hates him because he’s getting older.

The reason that I hate Nightwing is that he’s getting older… The reason people like Nightwing because he aged with them. But Batman can’t get older.

This is something I disagree with for multiple reasons – mainly because I think it’s silly to claim that a character as popular as Nightwing is only liked for one reason, and that it’s completely inaccurate to say he can’t get older. But even though I disagree, the comment made me think about the roles Dick has had in comics throughout the years, and comments I’ve seen from various people about different members of the Batfamily, and I came to a rather unfortunate conclusion that it’s not really that I disagree with his point so much as that I disagree with who the point is about.

I adore Dick Grayson and his relationships with other members of the Batfamily, but we’ve reached the point of oversaturation. DC has spent so long relying on a formula that works when it comes to non-powered heroes that they’ve wrung out just about every bit of use they can get out of it. As the first, and arguably the last, kid sidekick, Robin is hugely important to the Batman mythos…but I think it might be time to retire the mantle.

The Many Characters To Use The Name

Batman-and-Robins

A few months ago, there was this whole thing going on. Zack Snyder had mentioned on Vero that he had envisioned the Robin whose suit we saw in Batman v Superman. There was quite an uproar about that, with a lot of people objecting to the idea because “being killed by the Joker is Jason’s story”. Similarly, many people complained about the characterization of Dick in Titans, insisting that he was behaving more like Jason or Damian. I found both of these complaints very strange. Because you know what? Even assuming they’re true, after everything that the other Robins have taken from Dick, I don’t see a problem in Dick retaliating.

The thing is, Robin is one of the legacy characters with the most people that have held the title. The Batfamily in general is enormous. Between Alfred, Dick, Jason, Tim, Barbara, Stephanie, Cass, Damian, and Duke – even if the current roster doesn’t include all those people – it’s a massive slate. And the one that ultimately loses out is Dick.

For a significant amount of time – close on twenty years, really – what we now call the Batfamily was just Bruce, Dick, and Alfred. And it was a dynamic that worked, which was why Jason was introduced to begin with. But now? Now, it’s too much. There are too many characters, and because so few writers have a good enough sense of nuance, there’s little sense of what makes each of them unique. It’s not a zero sum game, or at least, it shouldn’t be. But every time there’s a new Robin, they get some of Dick’s character traits, plot points, even friends, in an attempt to give them a clearly defined role within the family. To try and justify their existence – to make their value clear – writers have to lessen Dick, make him less competent, intelligent, driven. He’s a hugely popular character. Yet with how he often gets treated in works where he’s not the central character, you’d think he’s the Betty Kane to Jason, Tim, Damian’s Barbara Gordon – a far less competent character than the others to bear the name whose only claim to fame was being there first. That is painfully far from being true, because Dick defined Robin. Everyone to take up the mantle after him took on at least some of his traits.

Jason got Dick’s sometimes strained relationship with Bruce. Tim got his intelligence. Cass got his “best athlete in the Batfam” thing. Different people have started arguing that everyone should get his position as heir to Batman. Even Alfred plays a role, because he took on the position that was originally Dick’s as the most important person in Bruce’s life, the first one that he trusted and considered family. That last one has now been true for longer than it wasn’t, so I don’t mind it so much, but it is frustrating to see just how many comics involve writers forgetting how important Dick is while singing the praises of other characters for something Dick was first.

The Gradual Lessening Of Character Complexity

Dick is hard to write well, because even more so than the other characters in the family, because you can’t really distill him down to core characteristics. If you do, you’ll end up with seemingly contradictory traits that you’re forced to choose between, because he is that much of a complex character. It took him years to truly define himself, but when it comes down to it, he learned his attitude from Superman and how to deal with criminals from Batman. When Dick is written well, he’s the jack of all trades. He might not be as good a hacker as Barbara or Tim, as good a marksman as Jason, as good at fighting as Cass, but he can easily beat anyone else at all of those things. He has one of the worst tempers in DC while also being one of the nicest people. He’s a loner with social skills. He’s the former teen rebel that became the Golden Boy that set the standard all his successors have to live up to.  He’s a character that really can’t be simplified without cutting out half of what makes him interesting. It’s why he’s my favourite character.

Both in and out of universe, Dick was a trailblazer. He inspired a whole generation of heroes. He’s a monument to everything Bruce has ever done right. He has – or maybe has had is more accurate – interesting relationships with just about everyone else in DC. And because all of this was built up over eighty years, it all felt earned. Nothing felt rushed or undeserved – everything to do with his character, from leading the Titans to moving to Bludhaven to becoming Batman – was a natural progression of the character. It’s why I can buy his version of “student surpassing the mentor”. It took pretty much the entire time from his debut in 1940 to being the Batman to Damian’s Robin to do it fully. It was a lot of effort and time, but he did it.

nightwing.jpg

A lot of the newer characters just don’t have that level of nuance. Whether it’s because DC is impatient or they haven’t had good enough writers yet or any number of other reasons, their progress into becoming a hero falls flat. Take characters like Harper Row. Sure, she’s not used too much anymore (if at all, I can’t remember), but when she was, she came across to me as a complete creator’s pet. She had the same “get characteristics from predecessors” thing, but it was poorly done and felt jarring, because the writers felt it wasn’t enough to have one thing she was great at or many things she was good at, she had to be more determined than Steph, better with tech than Tim, be described by Bruce as his ideal Robin. That’s a problem that I think will only get worse with time and more new characters, especially if those characters become Robin.

The Batfamily is now considered by many to be basically everyone in Gotham. The roster as it stands is too much. Gotham has too many heroes. I’m not saying that DC should simplify it by not including some of them. Of course not. At this point, pretty much all of them have a long history and unique fanbases. But it is beyond time to stop adding new members. Certainly Robins, but maybe even in general, because at a certain point, it’s going to be all but impossible to give all these characters sufficiently nuanced personalities. They’ll end up more similar than different.

The Attitude That The Status Quo Is God

batman-dick-grayson.jpg

DiDio also once claimed that Dick was redundant because he was never going to be Batman and wasn’t Robin anymore, arguing that once characters are allowed to age, they all become too similar – again, this is clearly ridiculous, but buried in there is something approximating a valid point.

Yes, it’s true that Dick’s not Robin anymore and will never go back – which is good, I have no idea why DiDio seems to think that’s a bad thing and have no desire to try to unpack that one. But it’s also obviously false that he’s never going to be Batman, because he has been. Repeatedly. The first time he donned the cowl was in 1994! And you know what? It’s completely untrue to say fans would never accept him as Batman on a more permanent basis, because we did. Dick as Batman after Final Crisis was widely loved to the point that readers lamented him going back to Nightwing. It’s completely false to say that any of this is because of the fans. No, this is because of writers that can’t move on – fanboys are running the asylum, and they don’t want to tell characters to grow.

Because of this fixation on the past, DC reboots its entire universe at the drop of a hat. They compress timescales, send loved characters off into limbo, erase relationships from existence, and force characters back into old roles rather than letting them move on. As long as they’re doing that, they have to stop adding new characters, because then it’s just getting ridiculous – there are so many vigilantes in Gotham, all serving approximately the same purpose, that it’s a wonder someone can even jaywalk without getting stopped!

Dick has been shoved back into Bruce’s shadow, because various people refuse to actually allow the student to surpass the teacher. The pre-Flashpoint Dick was the single most beloved hero in the DC Universe. He’d grown up and had his own life going on. He was extremely competent. He learned from both Batman and Superman. Everyone respected him. He was Bruce’s first son and his most trusted partner, an older brother to the other Robins. But now? The scale has been compressed so much because writers refuse to let Bruce be older than, like, thirty five. It’s resulted in Dick being presented more like Bruce’s younger brother than his son, and all of his accomplishments going unacknowledged. He’s gotten mentors that he stopped needing years ago, and stopped having relationships nearly as meaningful with his friends from outside Gotham. It’s nonsensical. And if that’s all that Robins have to look forward to – being unable to age or grow up or become heroes of their own – what’s the point in adding more?

Robin as a legacy once hugely important. It was good for Dick’s successors, because there was a precedent set they could both follow and stray from and a person from whom they could learn. It was good for Dick, because it demonstrated just how influential he was, proved irrefutably that he’d moved on, and let him complete the cycle as a mentor rather than a mentee. But that legacy, as much as I love it, has been used about as much as it can be. It’s time to let it rest, if not retire forever.

I made a post a while back about how Chris Claremont has never moved on from a certain plot point. In it, I noted that he wanted characters to get to grow and change, but that he was writing endings in a medium that doesn’t do endings. But you know what? Claremont’s approach seems largely the way to go, when we’re talking about DC and Robin. He’s very much not a fanboy running the asylum. He wouldn’t be afraid of letting characters grow up and change and move on, even as they maintained relationships with each other. In the hands of a writer like Claremont, given the freedom to make creative choices, I might not think it’s time to put down the Robin mantle. Unfortunately, that’s probably not happening.

I love Robin. I love the concept of Batman and Robin and the idea of the Batfamily. But unless DC completely changes its approach – and soon – I don’t see a way for the mantle to continue past Damian.

World Building And Lived In Universes

When the second episode of Titans – “Hawk and Dove” – came out, one of the things I thought was that it felt like Batman v Superman. Coming from me? That’s about as high of a compliment as I can give something.

It’s strange, because in a lot of ways, they’re very little alike. Batman v Superman was a sequel, not the start of a new universe that Titans is. But they still feel similar, because they’re both set in already established worlds. In Titans, there were obviously the big details, like how Dawn, Hank, and Dick all knew each other prior to the series and the fact that Dick isn’t working with Bruce anymore. But there were the smaller things, too – Dawn’s Superman T-shirt. The photograph of what was presumably this universe’s first incarnation of Titans. Dick’s contacts list, which included not only Bruce and Alfred, but Donna Troy and Lucius Fox, as well as an assortment of minor characters – Bridget Clancy, Bonnie Linseed, Lori Elton. This is a continuation of the same pattern in the pilot, where Dick’s coworkers are talking about how he’s from Gotham, and how it’s anybody’s guess what happened to his old partner – he could have even been gassed by the Joker. That’s how everything about Gotham feels in BvS.

Like I said, Batman v Superman was a sequel. But while it continued plot points from Man of Steel, it introduced Batman as an already established hero that’s gotten much more brutal recently. He’s twenty years into his career. Losing everyone that’s ever mattered to him has left him jaded and brutal. We don’t see much of Gotham, but we know it’s a crime ridden cesspool with a pretty bad reputation. The Joker doesn’t play a role, but we know that Gotham has a history with him. Even in regards to Superman – we know how he started off – we saw that in Man of Steel. But we weren’t shown all the details of his life since then. We see the gist of it, not the details – he saved a bunch of people, moved in with Lois, is in a good place.

By contrast, there are shows like Gotham. That’s my favourite comic book show. I love it with all my heart. And it has a very different vibe. The city feels like one with a lot of history, like a city that was holding on by a thread until the Wayne murders. But the show, the characters…that all feels fresh and new. However lived in the world may be, there’s a new world order coming and a new status quo that the residents will have to live with. That’s because the show is a prolonged origin story, and over the seasons, we’ve been there for just everything that makes Bruce Wayne who he is.

We were there when he watched his parents’ murder. We were there when he failed to deal with it. We were there when he met Jim Gordon, when he met Selina Kyle and found a reason to smile. We saw him train and grow and confront villains, saw him regress and pick himself back up and start fighting crime for the first time in a world where the new phenomenon of supervillains is emerging. That’s not at all what it’s like in Titans or Batman v Superman, because they start in the middle, not at the beginning.

Sure, we see the basics of Dick and Bruce’s lives and traumas in those stories. In the case of the former, we’ll probably see more as Titans progresses. But how we see that is very different. In both cases, it’s through flashbacks, not what’s occurring in the present. More than that – with many shows and movies, flashbacks are just regular scenes set in the past, sometimes with a different colouring to indicate that it’s not the usual timeline. Not so in Titans and BvS. There, there’s a separation. Stylistically, it comes across as a memory.

In Titans, the first flashback to the Flying Graysons is from Rachel’s perspective, not Dick’s. We hear voices as echoes, we don’t see every detail of what happens, it’s more like flashes of images than a scene. And in one of Dick’s very first scenes, we see him years older wearing a costume we never saw him put on, much less for the first time, and confronting criminals who already know who he is, even though we didn’t see when he got that name. We know that he had a life before this show, one that we’re never going to know all the details of. In Batman v Superman, it’s pretty much the same thing. It’s a compressed telling. It’s stylized. We don’t hear voices or see every frame, we just hit the main points – what Bruce is never going to forget.

This particular brand of storytelling appeals to me so much – sure, it’s great to be with characters through the entire journey, but when flashbacks are a major part of it, I like not seeing all of it, or piecing it together slowly. It’s not all thrown at us at once. It’s enjoyable.

‘Titans’: Reservations Withdrawn, I’m All In

Okay, so the Netflix trailer for Titans came out a few days ago, and it’s been a really  packed week for me, so I’m finally getting around to talking about it now: it was  awesome.

I’ve gone back and forth a lot on how I feel about Titans. When it was first announced, I was both excited and apprehensive. When the initial story details came out, I was like, what? When more characters were revealed, I was all ahhhh! At the leaked set pictures, I was chanting at myself to refrain from judgement until we got something official. And when the first trailer came out, I just blinked in confusion.

My reservations were not at all about things being “grimdark” because, frankly, that’s a nonsense claim that doesn’t mean anything. They were more me being unsure of how it looked or what direction they were planning on going in with it because of how it seemed like a strange cross between the comics and the cartoon. Now that we’ve seen more – the promos, the second trailer, posters – I have more of a concrete idea of what this show is going to be like, and I can actually be excited for it.

As Batman v Superman taught me, I should never listen to reviewers, because they don’t know jack. The fact that most of them seem to have enjoyed what they saw of Titans  doesn’t actually say anything – though the fact that Collider called it “joyless” and said it was awful might actually indicate that it’s awesome. Those guys never know what they’re talking about. But the trailer, with all its indications of a found family that chooses to fight together and take care of each other? That makes me think that this is the one thing about which the critics might actually be right. Some good action sequences, compelling character interactions, and – my absolute favourite thing of all – focus on the relationship between Bruce and Dick? It looks incredible.

If there’s any problem I still have, I think it’s that as of now, I don’t really care about the characters that aren’t named Dick Grayson. Maybe that’ll change once I actually see them, but from the trailers, the parts involving Dick were the most interesting to me. At first, I figured that was just my love for Dick biasing me in his favour, until I remembered that that’s crazy – after all, how many posts did I make that were basically me blathering on for a few hundred words about how important he is and how I’m terrified Titans will screw him up? I don’t know, but it was a lot. Strange, right? I started off so wary about this show and how it was going to treat him, more concerned about him than any of the other characters, because those other characters really don’t mean much to me. I like them just fine, but they’re not Dick. And now, I’m more looking forward to seeing him than I am any other character, somehow much less wary than I was when this started out. Even if the rest of the show doesn’t do it for me, I think Dick alone will be enough to make it worth it. So I’m totally done being nervous. Now I just can’t wait.

I’m subscribed to DC Universe. I’m bouncing up and down waiting for Friday. I’m already planning on making nachos to eat while I watch. Anyone want to message me after the release so we can geek out together?

What Happens When An Adaptation Displaces The Source Material In Public Memory?

As we get closer and closer to the debut episode of Titans, I’m getting more and more perplexed about some of the complaints I’ve seen about it. I have my own share of apprehensions about this show. I’ve been vocal about that. But what I don’t understand is the people whose complaints stem not from the show itself or how that translates from the comics, but from the knowledge of the cartoon.

While there’s nothing wrong with watching adaptations, but not reading comics, it’s not right or fair to insist that those adaptations are how the material either has been or should be. The Teen Titans cartoon – something that I genuinely enjoy, when I look at it as something other than an adaptation – has very little to do with the comics bearing the same name. The roster – Robin, Starfire, Beast Boy, Raven, and Cyborg – has become so cemented in people’s minds that when the show roster was revealed, the question didn’t become where’s Kid Flash or any of the other members of the comics roster, but where’s Cyborg. 

Even setting aside Twitter and Tumblr, sites well known for being a mess, look at the TV Tropes page for the show. While some of the people editing it clearly have knowledge of the comics, there are just as many from people whose opinions are coloured by the cartoon. Supposedly Starfire is out of character for not being an all loving hero, even though the original Star was a complete hothead that was far more violent than the version of the character that appears in the cartoon. Supposedly Dick is behaving more like Jason or Damian for being angrier than the bright spot people expected to see, even though good characters are always more complicated than can be defined by an attribute like “violent” and the Titans version of Dick is in a stage between the initial “bringing light and hope to Bruce and Gotham” stage and the later “knowing himself and what he has to do and in control of his anger” stage. It’s silly. There’s plenty to be nervous about, but that’s not the same as dismissing something altogether without seeing it because it’s not like another adaptation.

It wouldn’t bother me that much under most circumstances, but I’ve seen what people growing too attached to one adaptation can do. This backlash is painfully reminiscent of the backlash to Man of Steel. The Christopher Reeves version of the Superman – nerdy, clumsy, awkward, all country bumpkin out of place in the big city – has been so formative to the public perception of the character, people flat out forget that he’s been portrayed very differently in the comics and cartoons. The idolization of the Reeves Superman, coupled with the poor memory of what those movies were actually like, makes it impossible for creators to move on and try a different interpretation that’s still supported by the source material without “fans” jumping down their throats and saying they’re doing it wrong.

There’s no easy solution to this, because adaptations that make that much of an impact are a good thing. There’s no one out there that would deny how important Superman: The Movie was. And it’s gatekeeping nonsense to say people can’t have adaptations be their introduction to these characters, especially because at this point, as much as I’m loathe to say it, these adaptations are aimed at the so-called “general audience” because comics fans alone aren’t a big enough market. I just hope more people start to remember that superhero comics are a decades old medium in which there have been countless interpretations, none of which is inherently more valid than the others.

The Awkwardness Of ‘Titans’

I’ve talked before about my mixed feelings about Titans. I’ve talked about its interpretation of Dick Grayson and why I’m apprehensive of how my favourite comics character is going to be portrayed. I remember telling a friend a while ago – like, before the trailer – that every piece of new information we found out about the show was making me more and more conflicted about whether or not I wanted to see it. Like, they’d tell us that we were getting Donna, but then say that Dick blames Bruce for ruining his life. They’d tell us Jason is going to have an episode revolving around him, then the set photos featuring Kory’s ridiculous wig leaked. And then of course, there was the trailer, to which my reaction can been summarized as what. On the whole, this show, while something I’m definitely going to give a chance, confuses the hell out of me. I feel like I’m getting whiplash.

Maybe it’s stupid to try to analyze this before the show actually airs, but the overall vibe I get is of a show that’s unsure of what it should be. It’s using the cartoon’s roster. It’s drawing inspiration from the comics run. While it’s hard to tell from stills from before the other characters suit up, it seems like they dropped all their budget on Dick’s cape and ran out of money for everything else. It’s only thirteen episodes and supposedly has a central plot, but it’s going to have all kinds of character introductions, including an episode that’ll be the launching point for a Doom Patrol series, threatening to render the whole show overstuffed from trying to do too much at once. The age lift makes it seem like the Bruce Dick relationship may be shifting from a father son dynamic to a brotherly one. It sets off my internal alarm bells. As excited as I am to see it, it’s more because it’s happening – that a show, featuring my favourite character is actually going to exist, regardless of quality – than that it looks like something I’ll wholeheartedly love.

I’m going to watch it. I’m going to try to let go of all my preconceived notions of what it should be and figure out if I like it for what it is. How can I not? We’re talking about the Batfamily here! But I’m still going to be chewing through my lip and trying to reserve judgement until the end of the season.